Brahms at the tavern

When Brahms was young, he had to play in rowdy taverns to help support his family.

Dance music was what the people in the taverns wanted, and Hannes would sometimes relieve the monotony by improvising variations on the popular waltzes of the day.  But what finally made his work endurable was the discovery that while his fingers were mechanically pounding out familiar tunes on the broken-done piano, he could at the same time read a book.

Source: Goss, Madeleine & Schauffler, Robert (1943) Brahms The Master. New York: Henry Holt and Company, pp.40-41


Featured Content

Talent is best used
“The person born with a talent they are meant to use will find their greatest happiness in using it. – Johann Wolfgang von Goethe, poet
Growth by dreams
We grow great by dreams. All big men are dreamers. They see things in the soft haze of a spring day or in the red fire of a long winter’s evening. Some of us let these great dreams die, but others nourish and protect them, nurse them through bad days till they bring them to […]
The soloist will get his way
Pianist Freddy Kempf on the recording process: Solo recording is the most indulgent type … it’s 90 per cent down to me. The producer can shout at me all he likes, but if I am set on doing it my way, there’s few people who can stop me! – Freddy Kempf, in an interview with […]
Liszt’s account of a performance by Chopin
Franz Liszt described one of Chopin’s concerts in the Gazette musicale, May 2 1841. Last Monday, at eight o’clock in the evening, M. Pleyel’s rooms were brilliantly lighted up; numerous carriages brought incessantly to the foot of a staircase covered with carpet and perfumed with flowers the most elegant women, the most fashionable young men, […]
Your Ways, O Lord, are Love and Truth – Psalm 24 (25)
TITLE: Your Ways, O Lord, are Love and Ruth TEXT: Psalm 24 (25):4-9 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano (unison verses) PRODUCT MEDIUM: PDF score and part SAMPLE:  
Stravinsky on composition
“For me, as a creative musician, composition is a daily function that I am compelled to discharge. I compose because I am made for that and cannot do otherwise … I am far from saying that there is no such thing as inspiration; quite the opposite. It is found as a driving force in every […]
Dance of the Sugar-Plum Fairy
One of the most magical passages in Tchaikovsky’s The Nutcracker is the Dance of the Sugar-Plum Fairy. The featured instrument, the celeste, was a relatively new invention, having only been developed by a Parisian harmonium builder, Auguste Mustel, in 1886. The French word “céleste” translates to “heavenly”. Tchaikovsky first discovered the celeste while visiting Paris […]
Recordings
Gillparzer’s tribute to Beethoven
…He who lies here was possessed. Seeking one goal, caring only for one result, suffering and sacrificing for one purpose, those did this man go through life… If there are some of us who can still feel a sense of total dedication in these fractured times, let us meet at his grave. Has it not […]
We arrived here safely yesterday morning at 9 o’clock. – We spent the first night at Vögelbruck; – on the following morning we reached Lambbach – just in time for me to accompany the Agnus Dei on the organ during the mass. – The prelate was most delighted to see me again … We stayed […]