Brahms’ ladies choir

Brahms formed a Ladies Choir of about fifty singers:

“Fix oder Nix” was the motto he coined for them – “Bang up or nothing”; and he promised to write all the music they could sing if they would meet regularly, and always on time.  He even drew up a set of humorous rules.  “Avertimento” it was called:

Pro Primo , it is to be be remarked that the members of the Ladies’ Choir must be there.

By which is to be understood that they must oblige themselves to be there.

Pro Secundo, it is to be observed that the members of the Ladies Choir must be there….

I remain in deepest devotion and veneration of the Ladies’ Choir, their most assiduous ready-writer and steady time-beater,

Johannes Kreisler Jun.
(alias Brahms)

Brahms made his chorus work hard; but the meetings were usually spiced with nonsense as well  Sometimes they all went on country picnics.  One warm summer evening a special party was planned in a large garden in Eppendorf, just outside of Hamburg.  The place was illuminated with Japanese lanterns, hanging from the trees; there was special music and, as climax, a display of fireworks.

Johannes, always conscious of his short stature, found an apple tree in the garden which he decided would make an ideal podium.. .. Brahms clambered up to a low-growing branch and, gathering below him his “dear girls” (as he called them), broke off a twig for a baton and signaled for the concert to begin.

Source: Goss, Madeleine & Schauffler, Robert (1943) Brahms The Master. New York: Henry Holt and Company, p.p.168-9.


Featured Content

Is it worth writing?
“Never compose anything unless the not composing of it becomes a positive nuisance to you.” Gustav Holst Cited in: Classic FM, May 2011
It’s not hard work
“Talent labors, genius creates.” Florestan (one of Schumann’s characters) Robert Schumann,Gesammelte Schriften über Musik und Muisker  (Leipzig, 1854), IV.  Cited in Weiss, Piero & Taruskin, Richard (2008) Music in the Western World: A History in Documents.  California: Thomson, p. 306.
Schumann chasing a girl
Schumann once attended a masquerade during the carnival of 1830, in company with his friend Rosen, for the purpose of paying some attention to a pretty but otherwise insignificant girl.He knew that she would be present at the ball, and, as a pretext for approaching her, put a poem in his pocket.Fortune favored him: he […]
Eighteenth century aesthetics
Mozart was not at all a purely instinctive, intuitive artist. His remarks to the effect that he “loved to plan works, study, and meditate” and that “he preferred to work slowly and with deliberation” [demonstrate this] … On one level, Mozart’s musical aesthetic is informed by three fundamental and closely related principles that can be […]
The work of the individual
“The work of the individual still remains the spark that moves mankind forward.” – Igor Sikorsky, Russian aviator
An experiment in the colours of keys
The relativity of all these key-colour associations was illustrated during a debate on the whole subject organised in London in 1886 by the Journal “Musical Opinion”. That section of the audience that maintained the definite existence of “key colour” by which it could aurally identify a key was submitted to a test, a well known […]
Real genius
“Real genius is nothing else but the supernatural virtue of humility in the domain of thought.” Simone Wells, French philosopher and mystic. Cited at QuotationsBook
Violoncello piccolo
A violoncello piccolo is a violin-sized instrument tuned like a cello.  It is held horizontally, slung from a from a strap over the shoulder lika guitar.  Some of Bach’s cantatas specifically written for this instrument.  It is possible that Bach wrote the cello suites for the instruments (no instrument was specified on the manuscripts). Source: […]
Maiky’s recording of Bach’s cello suites
“The Latvian cellist Mischa Maisky recorded the Bach’s cello suites “at a small guest house he converted into a studio and called Sarabande, he had a fence built around it with all the notes of the fifth sarabande crafted on the metalwork.  He gleefully points out that the studio’s address is 720, his Montagnana cello […]
Here’s a pencil … and an eraser
‘The following is an account of the conductor Hans von Bülow: Young composers whom Bülow decided to feature in the concerts were encouraged to present themselves at the rehearsals, and even to direct the orchestra themselves, whenever it was deemed to be helpful.  We can only admire the resourcefulness of the budding symphonist who, in […]