Title: Sleepy Bear
Composer: Greg Smith
Instrumentation: Piano
Performer: Greg Smith (22 March 2009)
Sleepy Bear
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A musical use for trash
Favio Chávez, a technician at a Paraguayan landfill site, formed the the Cateura Orchestra of Recycled Instruments: an orchestra comprising of the children of landfill works. The orchestra was designed to encourage musical education in an low socio-economic area. A violin would hold more value than a landfill worker’s house. However, by creating instruments out […]
Liszt meets BeethovenI was about eleven years old when my respected teacher Czerny took me to see Beethoven. Already a long time before, he had told Beethoven about me and asked him to give me a hearing some day. However, Beethoven had such an aversion to infant prodigies that he persistently refused to see me. At last […]
Brahms’ stingy sideMusicologist Richard Leonard describes a stingy side to Brahms’s personality: It is true that at times he was generous, giving away large sums to persons in need, and often imposing a strict secrecy; but about his own affairs he was as congenitally stingy as a peasant. He bought only the cheapest clothes, wore the same […]
A great teacher“The mediocre teacher tells. The good teacher explains. The superior teacher demonstrates. The great teacher inspires.” – William Ward, author Cited at QuotationsBook
Stokowski’s first rehearsal with the Philadelphia OrchestraOn Stokowski’s first rehearsal with the Philadelphia Orchestra: From Oscar Schwar, a fellow faculty member at Curtis who became my friend, I heard the details of Stokowski’s first contact with the orchestra. He would never forget, he said, that Monday morning of October 7, 1912, when an amazingly young and handsome Stokowski, wearing a light […]
Out of practice“All I have left is a long nose and a fourth finger out of practice.” Chopin, in Scotland, unable to visit his friend Julian in London because of ill health. Cited in: Zaluski, Iweo & Pamela (1993) The Scottish Autumn of Frederick Chopin. Edinburgh: John Donald Publishers, p.23.
Arthur Rubinstein’s youthful practice habitsInterviewer: So many children hate to take music lessons. Can you understand this? Rubinstein: Oh, yes, I was one of them. You see, music lessons mean always this horrible dictatorial attitude of the professors. They slap four fingers and aarh; they shout at you: “Can’t you learn that? You must practice scales!” I mean, it […]
Satie’s daySatie wrote that “An artist must organise his life.” In 1913, he set said out a schedule in which he stated he would be inspired between 10:23 and 11:47am, and 3:12 to 4:10pm. The timetable allowed for daily house riding, and various other activities such as fencing, reflection, immobility, visits, contemplation, swimming, etc. The day […]
Somewhere Over the Rainbow“Somewhere Over the Rainbow”, from The Wizard of Oz, is now a classic, inspiring song, but its had to believe the beginnings were not so smooth: …it was decided that standard melodies of a popular accessible kind , without gimmicks, would best suit the story, and its star [Judy Garland]. Harold Arlen and E. Y. […]
The background to BoleroRavel’s infamous Boléro was somewhat created by chance: Shortly before Ravel left for America, the Russian dancer Ida Rubinstein had asked him for a ballet to be based on orchestrations of parts of Albéniz’s Iberia. To this he agreed; with so much on his plate he was not anxious to undertake further commitments for wholly original composition. […]
