Two paths for the future of classical musicGreg Sanders ponders the position of classical music and describes the need for it to catch up with culture, without simply “dumbing it down”: “Of course, I think that if we really understand current culture, we’ll want to go the other way, and make classical music smarter.” Greg Sanders, Arts Journal Blog, February 2, 2009. […]
Somewhere Over the Rainbow“Somewhere Over the Rainbow”, from The Wizard of Oz, is now a classic, inspiring song, but its had to believe the beginnings were not so smooth: …it was decided that standard melodies of a popular accessible kind , without gimmicks, would best suit the story, and its star [Judy Garland]. Harold Arlen and E. Y. […]
Reverie IIReverie II Composer: Greg Smith Instrumentation: Piano (left hand) Product medium: PDF score
Wexford Carol (SATB and piano)Title: Wexford Carol Text: 12th century Irish Composer: 12th century Irish, arr. Greg Smith Instrumentation: SATB and piano Related products: – Wexford Carol – SATB and organ (PDF score) Product medium: PDF score and parts Sample:
Widmann on BrahmsWidmann, a Swiss poet, describes Brahms’ performing at the piano: The broad leonine chest, the Herculean shoulders, the mighty head which the player sometimes threw back with an energetic jerk, the pensive, handsome brow that seemed to radiate an inner illumination, and the Germanic eyes which scintillated with a wondrous fire between their fair lashes […]
QuotesQUICK LINKS: Audience reception Composers General Performance practice Performers Style Symbolism Teaching methods The creative process The experience of art The purpose of the arts Work ethic Works See also: ANECDOTES AUDIENCE RECEPTION Quick links COMPOSERS Quick links GENERAL Quick links PERFORMANCE PRACTICE Quick links PERFORMERS Quick links STYLE Quick links SYMBOLISM Quick links TEACHING […]
Determination not to be hurried“Nothing can be more useful to a man than the determination not to be hurried.” – Henry David Thoreau
An experiment in the colours of keysThe relativity of all these key-colour associations was illustrated during a debate on the whole subject organised in London in 1886 by the Journal “Musical Opinion”. That section of the audience that maintained the definite existence of “key colour” by which it could aurally identify a key was submitted to a test, a well known […]
Reincken on Bach’s playingThe famous organist Reincken heard Bach play. Bach improvised for half an hour on the hymn “By the Waters of Babylon”. Reincken said: “I thought such art was dead, but I see it still lives in you.” Siblin, Eric (2009) The Cello Suites. Crows Nest: Allen and Unwin, p. 58.
Rorem’s affinity with French music“Bartók’s music as a whole is a music I never think about when its not around. It’s impeccable, it’s theatrical, it’s even great. It dazzles, thrills, horrifies, sometimes irritates, but also moves me. But I’m not touched by it, as by, for instance, the outset of the quartet by Ravel – Ravel, supposed to be […]