Mozart and Beethoven

“Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due to both.”

Henri Frederic Amiel, Swiss philosopher, poet & critic.

Amiel, Henri Frédéric, and Ward, Humphry. Amiel’s Journal: The Journal Intime of Henri-Frédéric Amiel. United Kingdom, Macmillan, 1893, p.134.  Digitally archived at: https://www.google.com.au/books/edition/Amiel_s_Journal/NCYoAAAAYAAJ?hl=en&gbpv=0, accessed 12 September 2021.

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It’s not hard work
“Talent labors, genius creates.” Florestan (one of Schumann’s characters) Robert Schumann,Gesammelte Schriften über Musik und Muisker  (Leipzig, 1854), IV.  Cited in Weiss, Piero & Taruskin, Richard (2008) Music in the Western World: A History in Documents.  California: Thomson, p. 306.
Lullaby for Edward
Title: Lullaby for Edward Composer: Greg Smith Instrumentation: Piano duet Level: Piano I – Level 1 (5 finger position, left and right hands) Product medium: PDF score & MP3 accompaniment track SAMPLES: (audio sample of accompaniment track only)
The power of critics
“Critics sometimes say, about this or that new work – it should betaken up by all our major orchestras and recorded.  It never is.  Critics have great power, but they have no power.” Ned Rorem (2000) Lies: A Diary 1986-1999.  Cambridge: MA: Da Capo Press, p.27.
Horowitz’s practice regime
The piano technician, Franz Mohr, observed: Horowitz was consistent in all that he did. His rehearsal was always on Saturday at 4:00 p.m., his performance was on Sunday. And I always had plenty of time to prepare his piano for the concert. Of course Horowitz would have never stolen my preparation time in order to […]
Love Came Down At Christmas (piano)
Title: Love came down at Christmas Text: Christina Rossetti Composer: Greg Smith Instrumentation: Piano solo Product medium: PDF score     Related products:     – Love came down at Christmas – SATB and piano     – Love came down at Christmas – Piano solo (MP3) hase_link id=”1673″ text=”Purchase” style=”button” color=”blue”] Samples:
Maiky’s recording of Bach’s cello suites
“The Latvian cellist Mischa Maisky recorded the Bach’s cello suites “at a small guest house he converted into a studio and called Sarabande, he had a fence built around it with all the notes of the fifth sarabande crafted on the metalwork.  He gleefully points out that the studio’s address is 720, his Montagnana cello […]
Tale
TITLE: Tale COMPOSER: Greg Smith INSTRUMENTATION: Bassoon and Piano PRODUCT MEDIUM: PDF score and part PRICE: $11.95 SAMPLES:
The tone of the piano at the turn of the nineteenth century
In 1796, the piano maker Johann Andreas Streicher sent Beethoven one of his pianos as a gift.  Beethoven's reply sheds some interesting light on the tone of the piano at this time: There is no doubt that so far as the manner of playing is concerned, the pianoforte is still the least studied and developed […]
Nino Rota on happiness and music
“When I’m creating at the piano, I tend to feel happy; but – the eternal dilemma – how can we be happy amid the unhappiness of others? I’d do everything I could to give everyone a moment of happiness. That’s what’s at the heart of my music.” Nino Rota, Italian composer. Cited at: Wikipedia.
The current state of the recording industry
Founder Klaus Heymann, founder of the successful NAXOS label, on the current state of the classical music recording industry: “We can’t live off CD sales anymore,” says the German-born Heymann, 75, speaking by phone from his base in Hong Kong. When Naxos began, Heymann proved that you could make money selling tens of thousands of […]