Title: Air IV Composer: Greg Smith Instrumentation: Piano Duet Level (Piano I): 1.2 – five finger position extended to 6/4 through to octave (left and right hands) Product medium: PDF score & MP3 accompaniment track (Audio sample of accompaniment track only)

Einstein wrote that Mozart’s music “was so pure that it seemed to have been ever-present in the universe, waiting to be discovered by the master.” Lyth, David (2019) The Road to Einstein’s Relativity. Boca Ranton: CRC Press, p.131.

“Now we know that you are gifted, very gifted, but you must work very hard, because someone who is gifted has to work harder than someone who is not, and you will see how boring it is to work hard at music.” Ravel to Manuel Rosenthal after a concert. Cited in: Nichols, Roger (1987) Ravel […]

“The advice I am giving always to my students is above all to study the music profoundly.  Because the music is like the ocean, and the instruments are little or bigger islands, very beautiful for the flowers and trees, or the contrary.” Andrés Segovia, guitarist.  Cited in: Cited in: Kimball, K., Petersen, R., Johnson, K. […]

“Do you know why I abandoned all my personal affairs and took up the theater? Because the theater is the most powerful pulpit, more powerful in its influence than books or the press. This pulpit fell into the hands of the rabble of humanity, and they turned it into a place of depravity. … My […]

Isaac Goldberg, a friend of George Gershwin, described the composer’s personality: HE was as simple, as unaffected, as modest, and as charming a youth as one could desire to meet. There was nothing about him that was forbidding. He wore his unprecedented celebrity as lightly as if it were a cane – that cane which […]

Theatre director Herbert Wernicke has taken six of Bach’s Cantatas dealing with the frailty of the human condition and presented them in a staging of mundane human activities.  Albrecht Puhlmann, the general director of Stuttgart Opera, states that “From the woman with the baby to the coffin being carried out, life and death is being […]

John Barry did not get the chance to see any footage and he had not read any of Ian Fleming’s books when he was called in to work on the music for the first James Bond film, Dr No (1962), for which Monty Norman had originally been commissioned to write the score.  “I was just […]

Raoul Berger (who eventually had a fall out with the conductor Stokowski and left The Philahrmonic Orchestra) described Stokowski’s rehearsal process: In rehearsal Stoki was given to the methods of a marine drill-sergeant, brutal and insulting.  In those days he was accustomed to make sweeping changes every season, so that those who were dependent on […]

Lou Dorfsman, design chief for CBS Radio and later the CBS Television Network for over 40 years, once said, “In reality, creativity is the ability to reach inside yourself and drag forth from your very soul an idea.” However, nothing comes from nothing. You must continuously feed the inner beast that sparks and inspires. I […]