The sole purpose of art is infinite

E. T. A. Hoffmann wrote in 1813 that instrumental music

is the most romantic of all the arts  – one might almost say, the only genuinely romantic one – for its sole subject is the infinite.  The lyre of Orpheus opened the portals of Orcus – music discloses to man an unknown realm, a world that has nothing in common with the external sensual world that surrounds him, a world which he leaves behind him all definite feelings to surrender himself to an inexpressible language.

Oliver Strunck, ed. Source Readings in Music History (New York, 1950), pp. 775-76.  Cited in : Plantinga, Leon (1984) Romantic Music.  New York: Norton, p.14.

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Murray Perahia
“It’s a very reactionary viewpoint and I’m slightly ashamed, but I find it very difficult to access contemporary music. I am not prejudiced, but my work in tonal music leads me to believe nothing can be organic if it doesn’t have a [sense of] “home.”  This idea of belonging, or home, can’t be an intellectual […]
It’s Oh So Quiet
In 1995, Bjork released a big band jazz cover of Betty Hutton’s 1948 hit “Blow a Fuse”. This was a cover of an Austrian song “Und jetzt ist es still” by Hans Lang and Erich Meder. Bjork said of the song: Isn’t that the best song you’ve heard for five years? In a way it […]
The Stars Looked Tenderly Upon Us (Tchaikovsky)
Title: The Stars Looked Tenderly Upon Us (Нам звезды кроткие сияли), op. 60, no.12 Composer: Pytor Il'yrich Tchaikovsky (arr. Greg Smith) Instrumentation: Cello and piano Product medium: PDF score and part Sample:
Valley of shadows
“When walking through the valley of shadows, remember, a shadow is cast by a Light.” – H. K. Barclay Cited at: QuotationsBook
It is imperative to learn music
The philosopher Nietzsche noted: “Our emotional life is least clear to ourselves.” For this reason, it is imperative to listen to music, because music makes the strings of our inner life resonate. Even if the result is not complete self-realization, at least we can still feel our essence in the “resonance”. Safranski, Rüdiger (2002) Nietzsche: […]
Brahms’ post-concert adventure
Brahms was invited to the family of one of his students, Fräulein von Meyensbug, in Detmol : The Meysenbug ladies proved very prim and conventional. Brahms was ill at ease. He was so afraid of shocking his aristocratic hostesses that he hardly knew what to say or how to behave. Their young nephew Carl, however, […]
A new overture – fast
Beethoven’s revised version of Fidelio was due to be premiered on the 23rd May 1814. Beethoven had planned to write a new overture for the performance. He was still yet to complete it before the final rehearsal on the 22nd May. The night before, he was dining out with his physician (Dr. Bertolini). After dinner, he took a menu, […]
George Sand on Chopin’s compositional process
“His creation was spontaneous and miraculous. He found it without seeking it, without forseeing it. It came on his piano suddenly, complete, sublime, or it sang in his head during a walk when he was impatient to play it to himself. But then he began the most heart-rending labor I ever saw. It was a […]
Salvation by imagination
“An idea is salvation by imagination.” – Frank Lloyd Wright, American architect
Your Ways, O Lord, are Love and Truth – Psalm 24 (25)
TITLE: Your Ways, O Lord, are Love and Ruth TEXT: Psalm 24 (25):4-9 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano (unison verses) PRODUCT MEDIUM: PDF score and part SAMPLE: