Title: In Memory of  Those in Paradise   Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score SAMPLE:

Some conductors put all the emphasis on the melodic line, while others are fanatics about rhythm, but there are very few conductors who are uniquely able to look at the score and hear every part before it actually happens. With the very best of conductors, it’s as though there are two performances going on simultaneously. […]

Title: Taste and see the goodness of the Lord Text: Psalm 33 (34): 2-3, 4-5, 6-7, 8-9. Alternate verses: 16-23 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

Composer: Greg Smith (based on a 16th-century French melody)Title: Fantasia on Ding Dong Merrily on HighInstrumentation: Cello and piano Available from Sheet Music Direct and Sheet Music Plus. SAMPLES:

[Barbara Streisand’s] early voice training amounted to one lesson with a voice teacher. At that session Ms. Streisand sang “A Sleepin’ Bee,” the Harold Arlen song that she performed in her first television appearance, on “The Jack Paar Show” in 1961, just before turning 19. During the lesson Ms. Streisand got as far as the […]

“One must practice slowly, then more slowly and finally slowly.” – Camille Saint-Saëns Cited in: The Piano Quarterly, 1974, p. 24.

“Music must be given to those who love it. I want to give free concerts; that’s the answer.” -Sviatoslav Richter, pianist Bruno Monsaingeon: Introduction to Sviatoslav Richter — Notebooks and Conversations p. XX. Cited at: Wikipedia

Title: Lord, I love your commands Text: Psalm 118 (119): 57, 75, 76-77, 127-128, 129-130 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

When Handel travelled through Chester, on his way to Ireland, this year, 1741 (to give the first performance of Messiah), I was at the Public School in that city and very well remember seeing him [Handel] smoke a pipe, over a dish of coffee, at the Exchange Coffee House; for being extremely curious to see […]

Scriabin’s fiery D#-minor Etude, with its relentless triplets and huge leaps, used to just fall under my fingers, while the Lento final movement of the Copland Sonata was a minefield of wrong notes. Why is that? Is it just because we practice hard music 20 times as much as easy music, or is it psychological, […]