Mozart was not at all a purely instinctive, intuitive artist. His remarks to the effect that he “loved to plan works, study, and meditate” and that “he preferred to work slowly and with deliberation” [demonstrate this] … On one level, Mozart’s musical aesthetic is informed by three fundamental and closely related principles that can be […]

Cellist Gregor Piatigorsky, after running into some problems with his accommodation, was spending a cold November day in the Tiergarten, Berlin, in 1923. Throughout the course of the day, he was approached by Paul Bose to play Schoenberg’s Pierrot Lunaire. It began to rain. In Moscow it probably is snowing now, I thought absently, making […]

There was soon to be no excuse for not practising in the chill of the winter. This excerpt is from The Musical Times, April 1869: WARMED PIANOS (G. Price’s Patent) – These Instruments invite playing in Winter, when the coldness of the keys of all others makes it unnecessarily uncomfortable, if not painful, to many, […]

Pianist Freddy Kempf on the recording process: Solo recording is the most indulgent type … it’s 90 per cent down to me. The producer can shout at me all he likes, but if I am set on doing it my way, there’s few people who can stop me! – Freddy Kempf, in an interview with […]

TITLE: Let the Lord Enter (Setting II) TEXT: Psalm 23 (24): 1-6. R. vv.7, 10 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano PRODUCT MEDIUM: PDF score and part SAMPLE:  

Chopin gave a recital in the Gentlemen”s Concert Hall, Manchester, on 28 August 1848. The audience of 1,200 people was the largest Chopin had ever performed to, but Chopin’s delicate playing was not really suited to such a large venue. Conscious of this fact, Chopin requested that another pianist, George Osborne, who was also performing […]

Chopin can hardly write anything now but that we feel like calling out in the seventh or eighth measure, “It is by him!” – Robert Schumann, 1838 P. Kildea, Chopin’s Piano, London, Allen Lane, 2018, p. 43.

“Music must be given to those who love it. I want to give free concerts; that’s the answer.” -Sviatoslav Richter, pianist Bruno Monsaingeon: Introduction to Sviatoslav Richter — Notebooks and Conversations p. XX. Cited at: Wikipedia

Title: “October” from The Seasons, op. 37 bis Composer: Pytor Illich Tchaikovsky Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:

Franz Liszt owned Beethoven’s Broadwood piano.