People must hear me

“I cannot tell you how much I love to play for people. Would you believe it – sometimes when I sit down to practice and there is no one else in the room, I have to stifle an impulse to ring for the elevator man and offer him money to come in and hear me.”

Arthur Rubinstein, pianist.

Cited in: Cited in: Kimball, K., Petersen, R., Johnson, K. (1990) The Music Lover’s Quotation Book. Toronto: Sound and Vision, p. 61.

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Peace Is What I Leave You – John 14
Title: Peace is what I leave you Text: John 14:27 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Cure for the common chord
He [John Holmes] entered my room around midnight and said, “‘Eureka!’ shouted Arnold Schoenberg. ‘I’ve found the cure for the common chord.’” Ned Rorem (2000) Lies: A Diary 1986-1999.  Cambridge: MA: Da Capo Press, p.104.
To burn with desire
“To burn with desire and keep quiet about it is the greatest punishment we can bring on ourselves.” — Federico García Lorca, Blood Wedding and Yerma A. Flores (ed.), Great Spanish Plays in English Translation, New York, Dover, 1991, p.441.
The orchestra as a symbol of unity
“You see behind me a symphony orchestra.  Every single one of the instruments has an entirely different background and history; they come from different places …; they’ve had different developments; they sound different… And so, the next time your soul sings, assailed with some sort of horrid indication that people can’t get along together, please […]
The two faces of art
“Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.” – Daniel Barenboim, pianist and conductor Cited at: QuotationsBook  
Ode II
Title: Ode II Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 recording     Related products:     – Ode II (PDF score) SAMPLE:
In the event of a lack of singers
In a letter to his friend Abbé Joseph Bullinger, Mozart jokes about the musical environment in Salsburg. One of his subjects is the search for an additional final principle singer. “I can hardly believe it!” he wrote “A female singer!? When we have so many already! – and all of them first rate…” (1). Mozart […]
An artist’s job is not for small talk
Nora Guthrie, Woody's daughter, once told me a story about a reception she was at where Bob Dylan was in attendance. The business people there were quietly commenting on how unsociable Dylan seemed to them, not what they imagined an encounter with Dylan would be like. When that observation about Dylan's behavior and disposition were […]
I Will Sing Of Your Salvation – Psalm 70 (71)
Title: I will sing of your salvation Text: Psalm 70 (71): 1-6, 15, 17 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
The state of opera: 1720s
In 1720 in Italy, opera was largely dictated by the egos of the singers, rather than considering the text, or the composer: The satirical writer Marcello wrote that the opera composer will hurry or slow down the pace of an aria, according to the caprice of the singers, and will conceal the displeasure which their […]