The musician’s role: maintain our trust in the world

“I feel that tolerance, love and social harmony can and should be the by-products of an artist’s way of life and creation.  I would like to believe that beauty and truth, two great disciplines, when combined as they are in music, where order is based on self-restraint and a better understanding of repose, will lead to a greater maturity, awareness and equilibrium in our civilization.  Words may conceal truth, but this is hardly possible in the case of music.  Even when it is used corruptly, we should be able to detect the unwholesomeness within if we listen with care.  In any event, I feel it is the musician’s role to maintain our trust in the world and the world’s trust in us, to help us express genuine emotions.  When music takes on that responsibility, it draws upon the best kind of human effort and is deeply therapeutic, harmonizing the physical and the spiritual, the intellectual and emotional, joining body and soul.”

– Yehudi Menuhin.  

Menuhin, Yehudi & Davis, Curtis (1979) The Music of Man.  Sydney: Metheun of Australia, p.43.

 

Posted

in

by


Featured Content

Gymnopedies No. 1 (Satie)
Title: Gymnopedies No. 1 Composer: Eric Satie Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:    
Examination findings
Some curious answers for the Society of Arts published in the Musical Times (English Journal), July 1888: The Examiner’s report on the papers worked by the candidates in the recent Theoretical Examinations of the Society of Arts shows some very curious facts. … Mistakes in spelling have not been accredited with loss to to the […]
Mozart’s magic ring
When Mozart was in Naples, he so impressed his audience that they suspected “musical sorcery”. They ordered him to play without wearing his ring, the apparent source of his “magic”. Source: Marek, George (1969) Beethoven: Biography of a Genius. London: William Kimber, p.20.
Climbing Mount Fuji with a cello in hand
“In 2007 Italian cellist Mario Brunello climbed to the summit of Mount Fuji and played selections from Bach’s cello suites, declaring that “Bach’s music comes closest to the absolute and to perfection.” Source: Siblin, Eric (2009) The Cello Suites. Crows Nest: Allen & Unwin. p.6.
Tchaikovsky as a teacher
Tchaikovsky disliked teaching at the best of times, but he particularly didn’t enjoy teaching female students, most of whom, in this period of history, were of an amateur status: Although it is a dreary business to have been forced to explain to my young men’s classes for eleven consecutive years what a triad consists of, […]
Brahms on inspiration
Johannes Brahms wrote to Clara Schumann. whom he greatly admired: It is from you that I am constantly learning that one cannot obtain vital force out of books, but only out of one’s soul.  One must draw inspiration not from without, but from within. Cited in: Goss, Madeleine & Schauffler, Robert (1943) Brahms The Master. […]
Scores and recordings
Recordings Scores Brass Brass ensemble Trombone Orchestra/Concert band Concert band Piano Piano solo Piano method Strings Cello and piano String ensemble Vocal and choral General Sacred Woodwind Bassoon
O Lord, Our God, How Wonderful Your Name – Psalm 8
Title: O Lord, our God, how wonderful your name Text: Psalm 8:4-9. R. v.2 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Page turning for Beethoven
Ignaz Xaver Seyfried was asked to turn pages for Beethoven in a performance of Beethoven’s Third Piano Concerto (5 April 1803). He recalled: In the playing of the concerto movements he asked me to turn the pages for him; but – heaven help me! – that was easier said than done. I saw almost nothing […]
Rising after we fall
“Our greatest glory is, not in never falling, but in rising every time we fall.” — Oliver Goldsmith (1762) The citizen of the world: or, letters from a Chinese philosopher, residing in London, to his friends in the east, Dublin: printed for George and Alex. Ewing, 1762, letter 7, p. 30.  Digitally archived at https://quod.lib.umich.edu/e/ecco/004776950.0001.001/1:9?rgn=div1;view=fulltext, […]