Chopin is the greatest of them all, for through the piano alone he discovered everything. — Claude Debussy P. Kildea, Chopin’s Piano, London, Allen Lane, 2018, p. 40.

There is, behind the soul and the whole life of the artist, perhaps a suffering soul … The moment one day will come in which perhaps yourself – if you possess a soul as I wish to believe – you will be able to see through feeling without any explanation. – Dimitri Mitropoulos to Leonard […]

“People are mistaken, if they think that my art has come easily to me. I assure you, dear friend, no one has devoted so much effort in the study of composition as have I. There is scarcely a famous master in must whose works I have not diligently, and often repeatedly, studied.” – Mozart, in […]

Morrell gave Handel the words of Cleopatra’s air “Convey me to some peaceful shore” in Alexander Balus, he cried out “Damn your Iambics!”. Morell offered to change them to trochees and went into the next room to do so, only to find about three minutes later that Handel had set them as they stood.” Dean, […]

An artist groping his way forward can open a secret door and never understand that this door hid an entire world. So it is that, if a man who passes for the father of a school, because he determined it, one day shrugs his shoulders and renounces it, that by no means discredits the school. […]

Boyd Neel was the first conductor to record Vaughan William’s Fantasia on a Theme of Thomas Tallis in 1935. He wrote: I often feel that this wonderful work is perhaps the greatest of all achievements in string orchestral composition. Boyd Neel (1986) The Story of an Orchestra. London: Vox Mundi, p.22. Cited in: Holmes, John […]

“The traditional sense of proportion is a hang-up. The usual Mozartean concept of how long an idea lasts becomes too predictable. Some of the composers who talk the most about avoiding predictability are the ones most victimized by this predictable traditional sense of proportion.” – Morton Feldman, American composer. Cited in: Tom Johnson, Remembrance, September […]

“Critics sometimes say, about this or that new work – it should betaken up by all our major orchestras and recorded.  It never is.  Critics have great power, but they have no power.” Ned Rorem (2000) Lies: A Diary 1986-1999.  Cambridge: MA: Da Capo Press, p.27.

“His creation was spontaneous and miraculous. He found it without seeking it, without forseeing it. It came on his piano suddenly, complete, sublime, or it sang in his head during a walk when he was impatient to play it to himself. But then he began the most heart-rending labor I ever saw. It was a […]

“The work of the individual still remains the spark that moves mankind forward.” – Igor Sikorsky, Russian aviator