Finding the voice of Piazzolla

I was writing symphonies, chamber music, string quartets. But when Nadia Boulanger analyzed my music, she complained that she couldn’t find any Piazzolla in there. She could find Ravel and Stravinsky, maybe Bela Bartok or Hindemith, but never Piazzolla. The truth is I was ashamed to tell her that I was a tango musician, that I had worked in the whorehouses and cabarets of Buenos Aires. Tango musician was a dirty word in Argentina when I was young. It was the underworld. But Nadia made me play a tango for her on the piano, and then she said, “You idiot! don’t you know, this is the real Piazzolla, not the other one? You can throw all that other music away”. So I threw away ten years work, and started with my nuevo tango in 1954.

– Astor Piazzolla

Cited at: http://www.tango.montreal.qc.ca/cbc/TANGOPT3/Tango3.html


Posted

in

by


Featured Content

Vaughan Williams on an authentic performance of Bach
Vaughan Williams gave a broadcast talk on Bach entitled “Bach the Great Bourgeois.” It was later published in The Listener. Vaughan Williams, who was involved in performances of works such as Bach’s St. Matthew’s Passion as part of the Leith Hill Festival, offered some insight in contemporary approaches to Bach performance: WHEN I was a […]
Musicians in Dresden in 1720s
”There was rivalry among the musicians in Dresden in the 1720s.  Daniel Heartz describes some incidents: Silvius Weiss, the famous lutenist, saw his livelihood threatened when he was attacked by a French violinist named Petit, who attempted to bite off the top joint of his right thumb.  On 13 August 1722 Veracini jumped to the […]
Two paths for the future of classical music
Greg Sanders ponders the position of classical music and describes the need for it to catch up with culture, without simply “dumbing it down”: “Of course, I think that if we really understand current culture, we’ll want to go the other way, and make classical music smarter.” Greg Sanders, Arts Journal Blog, February 2, 2009. […]
Vocal and choral
See also Sacred Music
Busoni on invention
I came to think that every notation is already the transcription of an abstract invention. From the instant the pen takes hold of it, the idea loses its original feature. … The invention (Einfall) becomes a sonata, a concerto: it is already an arrangement of the original. From this first transcription to the second, the […]
Deereeree the Wagtail, and the Rainbow
Title: Deereeree the Wagtail, and the Rainbow Text: Aboriginal dreamtime legend. Based on the account by Catherine Langloh Parker. Composer: Greg Smith Instrumentation: Voice, Flute, 2 Clarinets in Bb, Cello and Piano Product medium: PDF score and part Sample:
The Lord is my Light (Setting II) – Psalm 26 (27)
Title: The Lord is my light (Setting II) Text: Psalm 26 (27): 1, 4, 13-14. R. v.1 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Silent Steps – Rabindranath Tagore
Title: “Sacred Steps” from Song Offerings (Gitanjali) Text: Rabindranath Tagore Music: Greg Smith Instrumentation: SATB Product medium: PDF score Sample:
Prokofiev is evicted
Sergey Prokofiev was once evicted from his apartment for playing the same chord 218 times.  A tally was kept by the downstairs tenant. Source: Lawrence, Christopher (2001) Swooning.  Sydney: Random House, p.69.
Britten on composing
“Composing is like driving down a foggy road toward a house.  Slowly you see more details of the house – the colour of the slates and bricks, the shape of the windows.  The notes are the bricks and mortar of the house.” – Benjamin Britten. Cited in: Jarski, Rosemarie (2005) Great British Wit.  London: Ebury […]