Finding the voice of Piazzolla

I was writing symphonies, chamber music, string quartets. But when Nadia Boulanger analyzed my music, she complained that she couldn’t find any Piazzolla in there. She could find Ravel and Stravinsky, maybe Bela Bartok or Hindemith, but never Piazzolla. The truth is I was ashamed to tell her that I was a tango musician, that I had worked in the whorehouses and cabarets of Buenos Aires. Tango musician was a dirty word in Argentina when I was young. It was the underworld. But Nadia made me play a tango for her on the piano, and then she said, “You idiot! don’t you know, this is the real Piazzolla, not the other one? You can throw all that other music away”. So I threw away ten years work, and started with my nuevo tango in 1954.

– Astor Piazzolla

Cited at: http://www.tango.montreal.qc.ca/cbc/TANGOPT3/Tango3.html

Posted

in

by

Greg

Tags:

, , ,

Featured Content

Sondheim’s pass times
Sondheim is a lover of games, and collects antique ones (many were destroyed in a fire that swept through the lower floors of the house in 1995). He has a passion for murder mysteries, puzzles (he once spent 18 months devising cryptic crosswords for New York magazine), word play and anagrams. His own name, he […]
The career of a musician compared to other arts
The career of a musician out to be — it is, actually, and in many ways — different from the careers of artists in other fields of art.  All comparisons of the other arts with music are necessarily somewhat superficial.  The art of music needs, essentially, not much contact with social groups, or concern with […]
Dance of the Knights (Prokofiev)
Title: “Dance of the Knights” from Romeo and Juliet (op. 64)Composer: Sergei ProkofievArranger: Greg SmithInstrumentation: Cello and pianoProduct medium: PDF score and part This item is available at Sheet Music Direct and Sheet Music Plus. Sample:  
The line and the harmony
Phrases have their own topography—they move forward with the line but also remain wedded to the ground with each change of harmony, and this is where the battle lies, why each piece of music grapples with its own destructive potential, why beauty is never what it appears to be. — Simon Tedeschi S. Tedeschi, Fugitive, […]
First impressions of Schindler’s List
When renowned composer John Williams first watched a rough cut of Schindler’s List at director Steven Spielberg’s home in Los Angeles, he got so choked up he couldn’t speak. “I had to walk around the room for four or five minutes to catch my breath,” Williams recalls. “I said to Steven, ‘I really think you […]
The here and now
“It is a mark of soulfulness to be present in the here and now. When we are present, we are not fabricating inner movies. We are seeing what is before us.” – John Bradshaw (1992) Creating Love: The Next Great Stage of Growth.  United States: Bantam Books, p.127.
Mastery
“Mastery passes often for egotism.” — Johanne Goethe, German author Johanne Goethe (1906) The Maxisms and Relfections.  Translated by Bailey Saunders.  New York: The Macmillan Company.  Digitally archived at: https://www.gutenberg.org/files/33670/33670-h/33670-h.htm, accessed 12 Setpember 2021
The Lord is my Shepherd – Psalm 22 (23)
Title: The Lord is my shepherd Text: Psalm 22 (23)     Related settings:     – I shall live in the house of the Lord (Psalm 22; Greg Smith) – SATB and piano (PDF score) Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Inspiration
“Our happiness in this world depends on the affections we are able to inspire.” – Duchess Prazlin Cited at QuotationsBook
Difficult music is the easiest to play
Scriabin’s fiery D#-minor Etude, with its relentless triplets and huge leaps, used to just fall under my fingers, while the Lento final movement of the Copland Sonata was a minefield of wrong notes. Why is that? Is it just because we practice hard music 20 times as much as easy music, or is it psychological, […]