“Mastery passes often for egotism.”
Johanne Goethe (1906) The Maxisms and Relfections. Translated by Bailey Saunders. New York: The Macmillan Company. Digitally archived at: https://www.gutenberg.org/files/33670/33670-h/33670-h.htm, accessed 12 Setpember 2021
— Johanne Goethe, German author
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Lullaby for Berkeley
Title: Lullaby for Berkeley Composer: Greg Smith Instrumentation: Piano duet Level: Piano I – Level 1 (5 finger hand position, left and right hands) Product medium: PDF score & MP3 accompaniment track SAMPLES: (Audio sample of accompaniment track only)
The most powerful drugs“Words are, of course, the most powerful drug used by mankind.” – Rudyard Kipling, British author and poet. Quoted in The Times, 15 February 1923.
WoodwindBassoon
Conducting glovesThe practice of wearing white gloves whilst conducting was common in the nineteenth century. The Musical times reported in July 1884 that: “A German conductor,” we are told, “in order that the public may be more deeply impressed with the feeling of grief intended to be produced by the Funeral March in Beethoven’s ‘Eroica Symphony,’ wears […]
Rustic DanceTitle: Rustic Dance Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:
Other terms 2Go to more crosswords
Let the Lord Enter – Psalm 123 (124)TITLE: Let the Lord Enter (Setting II) TEXT: Psalm 23 (24): 1-6. R. vv.7, 10 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano PRODUCT MEDIUM: PDF score and part SAMPLE:
Stokowski and his audienceThe conductor Leopold Stokowski had a love hate relationship with his audience: He wooed them and cajoled them, flattered them and then gently reproved them. When they grew fidgety, he shamed them into attentiveness and concentration. “Please don’t do that,” he once admonished an audience of program shufflers. “We work hard all week to give […]
Abstraction XVIITitle: Abstraction XVIIComposer: Greg SmithInstrumentation: PianoProduct medium: PDF scoreRelated products: – Abstraction XVII (MP3 recording)
Misprints remain“Some misprints remain on my scores, because for some reason I have always been in a rush to get the proofs to the publisher by the deadline. In the orchestral parts everything has usually been corrected.” Jean Sibelius, to Jussi Jalas, 27th July 1942 Cited at: www.sibelius.fi [accessed 31 Mar 2010].
