When I was 19 years old I joined Columbia Artists in New York.  It was my first management and a momentous event in my life.  All of a sudden here I was, part of what was perceived to be one of the most prestigious such organizations in the country.  It was a big time and […]

“There can be no music without an idealogy. The old composers, whether they knew it or not, were upholding a political theory. Most of them, of course, were bolstering the rule of the upper classes. Only Beethoven was a forerunner of the revolutionary movement.” – Dmitry Shostakovich Cited in: Nettl, Paul (1969) The Book of […]

Op. 9, no. 2 (Eb major)Op. 15, no. 3 (G minor)Op. 27, no. 1 (C-sharp minor)Op. 27, no. 2 (Db major) Chopin, while Polish by birth established his career in Paris, where his music was well received in intimate venues. In an article in Revue Musicale in 1832, François-Joseph Fétis wrote that Chopin “has found, […]

“[The key of E-flat] was reserved mostly for moments of sublime seriousness, appropriate for dying thoughts, or of love unto death, whether human or divine.” – Heartz, Daniel (2003) Music in European Capitols. New York: Norton. Cited in: Siblin, Eric (2009) The Cello Suites. Crows Nest: Allen and Unwin, p. 144.

“Writing and performing an opera, creating any work of art in a world of violence and ease, hunger and obesity, could seem to be an act of private withdrawal. But art isn’t about itself, it’s about how men relate to the world and each other … Asking artists to keep politics out of art is […]

Title: Widerstehe doch der Sünde (from Cantata BWV 54)Composer: Johann Sebastian BachArranger: Greg SmithInstrumentation: PianoProduct medium: PDF score Sample:

In 1862 Brahms left Hamburg for Vienna. Brahms was not at all sure that he would remain long in Vienna; but he must have had some premonition that his Hamburg life was nearly over.  He found it hard to say goodbye to his old father and mother; though this time he could leave secure in […]

“Like climbing an infinite stairway, one step at a time.” —Pavel Kolesnikov, working on Bach’s Goldberg Variations. Jeal, Erica, “Pavel Kolesnikov, the pianist making ‘a palace of sound built by your own imagination’”, The Guardian, 9 September 2021, https://www.theguardian.com/music/2021/sep/09/pavel-kolesnikov-the-pianist-making-a-palace-of-sound-built-by-your-own-imagination, accessed 11 September 2021.

“The more anonymous music is, the less likely people will be to feel attached it and to feel the need to support it. But when someone knows who you are, when you’re not just some disembodied vibrations in the air, they’re far more likely to stand behind you.” Isaac Schankler. “Beyond Sound and Science: Musicians, […]

Title: Lord, when your glory appears (Setting II) Text: Psalm 16 (17): 1, 5-6, 8, 15 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample: