Stokowski rebukesThe conductor Stowkoski was always in complete control of his orchestra: He never lost his tempoer with the orchestra, never raised his voice. On the contary, he would lower his voice for a subtle rebuke or a sarcastic comment. Schwar recalled Stokowski saying, “Second clarinet, don’t play notes – sing them.” To the first violist, […]
Lord, You Are Good and Forgiving (Setting II) – Psalm 85 (86)Title: Lord, you are good and forgiving (Setting II) Text: Psalm 85 (86): 5-6, 9-10, 15-16 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Blue FlemingoTitle: Blue Flemingo Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:
The decentralization (or de-hallification) of classical musicFor generations, the main places to hear contemporary classical music have been the big institutions, primarily at downtown and university concert halls and opera houses, and sometimes in churches and other rather formal settings. That’s all changing. Young composers today are increasingly finding — or creating — outlets for their music in rock and jazz […]
The potential of man“It is surprising what a man can do when he has to, and how little most men will do when they don’t have to.” — Walter Linn The Signalman’s Journal, Brotherhood of Railroad Signalmen, vol. 29-30, 1948, p.188.
The two faces of an art work“Every great work of art has two faces: one toward its own time and one toward the future, toward eternity.” — Daniel Barenboim. Cited in: Barenboim, Daniel & Said, Edward (2002) Parallels and Paradoxes: Explorations in Music and Society. New York: Pantheon Books.
You cannot hope for substance“You cannot set art off in a corner and hope for it to have vitality, reality, and substance.” – Charles Ives, American composer
Tchaikovsky on Arensky“Arensky is a man of remarkable gifts, but morbidly nervous and lacking in firmness—altogether a strange man.” Pyotr Ilyich Tchaikovsky, in a letter to N. F. von Meck, Frolovskoe, July 2nd (14th), 1890. Cited in Modest Tchiakovsky, The Life & Letters of Peter Ilich Tchaikovsky, np., Outlook Verlag, 2018, p. 477.
Motion and art“The statue is concentrated in one moment of perfection. The image stained upon the canvas posses no spiritual element of growth or change. If they know nothing of death, it is because they know nothing of life, for the secrets of life and death belong to those, and those only, whom the sequence of time […]
Rafal Blechacz on interpretationMost of all, I give myself plenty of time to get familiar with the composition, to “grow into” its concepts. The composition “congeals” under your fingers and in your heart; each phrase becomes yours, and the artistic expression, which emanates from the piece, becomes your expression. Artistic intuition also plays an important role, although it […]