Tag: creative process

  • Habit is stronger than willpower or inspiration

    In writing, habit seems to be a stronger force than either willpower or inspiration. Consequently there must be some little quality of fierceness until the habit pattern of a certain number of words is established. There is no possibility, in me at least, of saying, “I’ll do it if I feel like it.” One never…

  • Trombone Shorty on writer’s block

    Sometimes, I’ll work through it, and sometimes, you know, you might have to make a couple of test bottles or test wines, and it helps you get closer.  But if I don’t stop, I might get on the machine here and make five tracks, but I know that they’re not really worth anything.  I’m just…

  • Art is an immense forest

    In the world, in life, and in nature, there is nothing but beautiful tales, and when the door opens, enter and accept it with all your soul. Art is an immense, eternal forest, where the trees stand as sparsely or as densely as you wish. The moon, sun and all kinds of glittering stars move…

  • Saint-Saëns on composing

    “I produce music as an apple tree produces apples.” — Camille Saint-Saëns Musical Heritage Review. Musical Heritage Society, volume 1, issues 13-18, p.47.

  • Busoni on invention

    I came to think that every notation is already the transcription of an abstract invention. From the instant the pen takes hold of it, the idea loses its original feature. … The invention (Einfall) becomes a sonata, a concerto: it is already an arrangement of the original. From this first transcription to the second, the…

  • I live in a world of my imagination

    I confess that I live only in my surroundings and in myself. I can conceive of no greater pleasure than sitting in my chair at this desk and looking at the walls around me day by day and night after night. In these pictures I do not see what you see; in the trees outside…

  • The creative urge

    “The creative urge is the demon that will not accept anything second rate.” —Agnes de Mille (1905-1993), American dancer and choreographer. Gardner, Kara Anne. Agnes de Mille: Telling Stories in Broadway Dance. United States, Oxford University Press, 2016.

  • A hunch

    Logically, a hunch makes as much sense as saying, horses have tails; therefore, all tails have horses.”  But in the zany world of films you don’t explain hunches — you just live and die by them. Frank Capra (1971) The Name Above the Title: An Autobiography.  Macmillan, p. 123. 

  • Artists and originality

    Is genius original? What is original? Originality wasn't a must in Mozart's day. He was like everyone else, only more so. Like everyone else – but no one was like him. Artists don't necessarily feel more deeply than you or me; it's just that they can take the fugitive feelings we all recognize and congeal…

  • The excitement of all possibilities

    “Without leaps of imagination, or dreaming, we lose the excitement of all possibilities. Dreaming, after all, is a form of planning.” Gloria Steinem, writer http://www.gloriasteinem.com  

  • The effort is better than rest

    “Writing music is seventy-five per cent an intellectual activity.  This effort is often more pleasant for me than having a rest.” Conversation with Ravel, recalled by Robert de Fragny, Echo liberté, 7 November 1950. Cited in: Nichols, Roger (1987) Ravel Remembered.  London: Faber & Faber., p. 61.

  • Ravel’s compositional process

    Robert de Fragny recalled a conversation with Ravel about his compositional process: The G major Concerto took two years of work, you know.  The opening theme came to me on a train between Oxford and London. But the initial idea is nothing.  The work of chiseling then begun.  We’ve gone past the days when the…

  • Start with one note

    Ravel in conversation with Mme André Bloch: “I don’t have ideas.  To begin with, nothing forces itself on me.” “But if there’s no beginning, how do you follow it up? What do you write down first of all?” “A note at random, then a second one and, sometimes, a third.  I then see what results. …

  • The progress of an artist

    What happens is a continual surrender of himself as he is at the moment to something which is more valuable. The progress of an artist is a continual self-sacrifice, a continual extinction of personality. – T. S. Elliot, Tradition and the Individual Talent (1919)

  • Nino Rota on happiness and music

    “When I’m creating at the piano, I tend to feel happy; but – the eternal dilemma – how can we be happy amid the unhappiness of others? I’d do everything I could to give everyone a moment of happiness. That’s what’s at the heart of my music.” Nino Rota, Italian composer. Cited at: Wikipedia.

  • Spontaneity and art

    Alexander Gow, musician in the band Oh Mercy on spontaneity of artistic creation: [Spontaneity is] when art is expression, and that’s what I’m interested in. If, like you said, there’s a spontaneity to it and it’s an extension of a certain kind of moment or feeling, and if you’re clever enough to express that through…