Pianist Roger Williams on his hit recording of Autumn Leaves (which was recorded three days after signing his contract with Kapp records): “I said, ‘You mean ‘Falling Leaves’? I didn’t even know the title,” Mr. Williams told the Los Angeles Times in 1996. “I stayed up Friday and then Saturday night working on an arrangement.” […]

“Genius begins great works; labor alone finishes them.” – Joseph Joubert, French writer Joubert, J. (1983) The Notebooks of Joseph Joubert: A Selection. Translated by Paul Auster. San Francisco: North Point Press, p. 76.

Bernstein is intent on demonstrating that the inevitable doesn’t just happen. It comes from intense work. To show this, he restores a handful of Beethoven’s discarded sketches to the score so that we can hear how the Fifth would have sounded if Beethoven had retained his first (or second or 10th) thought. Some discarded passages […]

Ravel’s style — elegant, and refined — was highly influenced by eighteenth classicism (e.g., Mozart) and the early French keyboard composers (e.g., Couperin). Stravinsky once described Ravel as a “Swiss watchmaker”, due to Ravel’s attention to detail. Ravel wrote: “I never put down a work until I have made absolutely certain that there is nothing […]

“…the nature of music is inherently social. Blackburn argues, ” … we need to remind ourselves that music in itself does not exist. Despite evidence to the contrary (scores, analytical charts, music stores, CD shelves, etc.) music exists only in performance. … It is therefore a social and political act.” The performance of music corresponds […]

“We’re seeing a big evolution of production, of recording techniques, and of the actual sounds. Everything’s getting sampled and synthesized…. When we do have an acoustic instrument like a saxophone, it tends to get processed to where [it’s] almost unrecognizable.” Jeff Harrington, saxophonist. Cited in, Kelsey McKinney, “Where Did All the Saxophones Go?”,        https://getpocket.com/explore/item/where-did-all-the-saxophones-go?utm_source=pocket-app&utm_medium=share, accessed 29 […]

“It is surprising what a man can do when he has to, and how little most men will do when they don’t have to.” — Walter Linn The Signalman’s Journal, Brotherhood of Railroad Signalmen, vol. 29-30, 1948, p.188. 

“If all would play first violin, we could not obtain an orchestra. Therefore esteem every musician in his place.” — Robert Schumann Robert Schumann (translated by Henry Hugo Pierson), Advice to Young Musicains [Musikalische Haus- und Lebens-Regeln]. New York: J. Schuberth & Co. https://www.gutenberg.org/files/28219/28219-h/28219-h.htm, accessed 29 August 2021.

Haydn reached London in the opening days of 1791. He passed his first night at the house of Bland, the music publisher, at 45 High Holborn, which now, rebuilt, forms part of the First Avenue Hotel. Bland, it should have been mentioned before, had been sent over to Vienna by Salomon to coax Haydn into […]

I feel like a ghost wandering in a world grown alien. I cannot cast out the old way of writing, and I cannot acquire the new. I have made intense effort to feel the musical manner of today, but it will not come to me. Unlike Madame Butterfly with her quick religious conversion, I cannot […]