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“I like honesty and sincerity; and I maintain that an artist should not be shabbily treated.” – Beethoven, in a letter to C. F. Peters, 5 June 1822 E. Anderson, Letters of Beethoven (1961), cited in Oxford Dictionary of Quotations. United Kingdom, Oxford, OUP Oxford, 2014.

Mozart’s sense of mischief is evident in his behaviour at a performance of The Magic Flute.  Thisis from a letter to his wife Oct 8 & 9 1791: … (1) had a box [in the theatre] this evening and applauded everything vigorously; but He, that Know-it-all, proved to be a real Bavarian; I couldn’t stay […]

“There is also in this music an extraordinary sense of control over the passage of time; a moment will be held still as if suspended, and then released, with a rush.  Einstein has told us that time is relative, flexible and elastic; I have noticed these qualities whenever I have tried to play to the […]

Title: A Child is Born in Bethlehem. Five Christmastide arrangements for piano by Greg Smith Arranger: Greg Smith Instrumentation: Piano Product medium: PDF score Contents: A child is born in Bethlehem (Danish melody) High from the tree's green top (E. Horneman) In a basement black as coal (C. M. Bellman) Lovely is the blue sky […]

Title: I will walk in the presence of the Lord Text:     – Psalm 115 (116b):10, 15-19 (R. Psalm 114 (116a):9)     – Psalm 114 (116a):1-6, 8-9. R. v.9. Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF Score and part Sample:

“The heights by great men reached and kept were not attained by sudden flight, but they, while their companions slept, were toiling upward in the night.” Henry Wadsworth Longfellow, The Ladder of St. Augustine

A performance of Schönberg’s Pierrot Lunaire was given by Artur Schnabel (piano), Boris Kroyt (violin), Gregor Piatigorsky (cello), Paul Bose (flute), Marie Gutheil-Schoder (speaker), conducted by Fritz Stiedry. Gregor Piatigorsky was amused at the need for a conductor, given the size of the ensemble: The half-spoken, half-sung voice indicated in the score was partly filled […]

There is, behind the soul and the whole life of the artist, perhaps a suffering soul … The moment one day will come in which perhaps yourself – if you possess a soul as I wish to believe – you will be able to see through feeling without any explanation. – Dimitri Mitropoulos to Leonard […]

“Morricone brought the electric guitar to the western. The great thing, though, about the electric guitar in the western is that there were no electric guitars, but somehow he did it so committedly that nobody ever questioned it. It was only much later people started to say, ‘How come there’s an electric guitar part there?’ […]