Page turning for Beethoven

Ignaz Xaver Seyfried was asked to turn pages for Beethoven in a performance of Beethoven’s Third Piano Concerto (5 April 1803). He recalled:

In the playing of the concerto movements he asked me to turn the pages for him; but – heaven help me! – that was easier said than done. I saw almost nothing but empty leaves; at the most on one page or the either a few Egyptian hieroglyphs wholly unintelligible to me scribbled down to serve as clues for him; for he played nearly all of the solo part from memory, since, as was so often the case, he had not had time to put it all down on paper. He gave me a secret glance whenever he was at the end of one of the invisible passages and my scarcely concealable anxiety not to miss the decisive moment amused him greatly and he laughed heartily at the jovial supper which we ate afterwards.

Thayer, Alexander Wheelock, Elliot Forbes, ed. (1964) The Life of Beethoven, Princeton. Cited in: Marek, George (1969) Beethoven: Biography of a Genius. London: William Kimber, p.336-337.


Posted

in

by


Featured Content

Technique is not music
“Technique is not music. Music is the thousandth of a millisecond between one note to the other—that’s where the music is.”  — Isaac Stern, in an interview with Mark Stryker Cited in: Green, Barry (2003) The Mastery of Music: Ten Pathways to True Artistry. New York: Broadway Books, p. 2.
Ode I
Title: Ode IComposer: Greg SmithInstrumentation: PianoPerformer: Greg Smith (January 2010) Your browser does not support the audio element. Sheet music
Harbouring doves and crocodiles
Beethoven, who is often bizarre and baroque, takes at times the majestic flight of an eagle, and then creeps in rocky pathways. He first fills the soul with sweet melancholy, and then shatters it by a mass of shattered chords. He seems to harbor together doves and crocodiles. A review of Beethoven’s First Symphony, Tablettes […]
Brahms’ birthday
After Robert Schumann was admitted to a mental assuming in 1854, Johannes Brahms stayed with Robert’s wife, Clara Schumann to support herself and her eight children. Although Robert’s sad condition was always present in the minds of those who loved him, there was occasional happy times at the Schumann’s home in Düsseldorf.   On the […]
What an artist can do for another
The best and only thing that one artist can do for another is to serve as an example and an inspiration. – Steven Pressfield S. Pressfield, The War of Art: Break Through the Blocks and Win Your Inner Creative Battles, New York, Black Irish Entertainment, 2002, p.18
Creativity between now and Tuesday
“Creativity is a highfalutin word for the work I have to do between now and Tuesday.” – Ray Kroc, founder of McDonald’s corporation  
The land knows of its own beauty
What is pertinent is the calmness of that beauty, its sense of restraint. It is as though the land knows of its own beauty, of its own greatness, and feels no need to shout it.” – Kazuo Ishiguro
A Light Rises in the Darkness – Psalm 111 (112)
Title: A Light Rises in the Darkness Psalm 111 (112): 4-9 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part.
Ode I
Title: Ode I Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE: Your browser does not support the audio element.
Anxiety
“Anxiety is the handmaiden of creativity”. — Chuck Jones, animator Goleman, D., Kaufman, P., & Ray, M. (1993) The Creative Spirit. New York: Plume.