Part of the bigger picture

Leopold Stokowski conducted the American premier of Berg’s opera Wozzeck in 1930 (a joint effort of The Philadelphia Orchestra, the Phildelphia Grand Opera, and Curtis Institute).  Abram Chasins recalls a rehearsal:

I attended his second rehearsal with the orchestra in the pit and singers on the stage.  After some twenty minutes of singing and acting, often at sixes and sevens, Stokowski stopped the rehearsal and addressed the principle singers very quietly: “I want you all to understand something,” he said.  “Get rid of the absurd  idea that nothing in this opera matters except what you do individually, and how your voicdes sound.  Don’t you understand that you are only part of a whole dramatic entity?  You have no regard for operatic integrity.  You are vain; you want personal applause.  It is all very inartistic, and I will not put up with it.  If you can’t take this correction, just leave.”

Needless to say, no one left.

 Source: Chasins, Abram (1979) Leopold Stokowski: A Profile.  London: Robert Hale, p.130

Posted

in

by

Greg

Tags:

, , , , , ,

Featured Content

Hilary Hahn on technique, practise mentality, and performance
Violinist Hilary Hahn on practice and technique: I’ve always worked hard at my technique … But I’ve worked hard at my musicality as well. When I was doing my etudes my teachers always made sure I didn’t go onto the next until I had the first really good. But it wasn’t good unless it was […]
The length of a rehearsal
Rachmaninoff completed his Third Piano Concerto at his summer estate at Ivanovka in September-October 1909.  He then toured America, learning the piano part on a dumb piano aboard the ship.  The work was first performed in New York under Walter Damrosch in November 1909.  In January 1910, Gustav Mahler conducted the third New York performance. […]
Purpose of the arts
Brahm’s first meeting with Schumann
He [Brahms] sat down and began the sonata which had so impressed Joachim [a violinist].  As he played, a swift change transformed [Robert] Schumann’s impassive features.  The Master listened with growing interest, then suddenly sprang to his feet. “Please”, he cried.  “Will you wait just a moment? Clara -” He hurried to the door and […]
It’s two-four … It’s three-four
Chopin had a free sense of rhythm.  In 1842, Chopin was giving a lessen to Wilhem von Lenz when Meyerbeer walked in.  The Mazurka (op. 33 no. 3) was being played.  von Lenz recounts: Meyerbeer had seated himself; Chopin let me play on. “That is two-four time,” said Meyerbeer. For reply, Chopin made me repeat, […]
A Beethoven fan
In an interview with Beethoven scholar K. E. L. Nohl, Schubert’s friend, Moritz von Schwind revealed that Schubert sold his books so that he could get tickets to the third version of Beethoven’s opera, Fidelio. Ferdinand Luib In an interview with Ferdinand Luib, Anselm Hüttenbrenner stated that Schubert’s favourite works were Beethoven’s Fifth Symphony, Mass […]
Brahms’ birthday
After Robert Schumann was admitted to a mental assuming in 1854, Johannes Brahms stayed with Robert’s wife, Clara Schumann to support herself and her eight children. Although Robert’s sad condition was always present in the minds of those who loved him, there was occasional happy times at the Schumann’s home in Düsseldorf.   On the […]
The Seed That Falls On Good Ground – Psalm 64 (65)
Title: The seed that falls on good ground Text: Psalm 64 (65): 10, 11, 12-13, 14. R. L. 8: 8 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
The development of keyboard technique
Before the time of Bach, keyboardists would often only use the middle three fingers of each hand and tended to keep their hands flat. Bach taught his students under the new principle of using all the fingers. Beethoven asked his pupils to curve the hand. Source: Marek, George (1969) Beethoven: Biography of a Genius. London: William […]
Delius on the role of music
“The chief reason for the degeneration of present-day music lies in the fact that people want to get physical sensations from music more than anything else. Emotion is out of date and intellect a bore. Appreciation of art which has been born of profound thought and intensity of experience necessitates an intellectual effort too exhausting […]