Featured content

It was during the summer of 1858 that Brahms met Agathe von Seibold.  He had gone to visit Ise Grimm at Göttingenm the university town where Joachim spent his holidays.  Ise had recently married, and his home was a meeting place for the younger musicians. I have invited some people in this evening,” he told […]

TITLE: Tale COMPOSER: Greg Smith INSTRUMENTATION: Bassoon and Piano PRODUCT MEDIUM: PDF score and part PRICE: $11.95 SAMPLES:

ABSTRACT The nineteenth and twentieth centuries witnessed the rapid growth of musical culture in Russia. This resulted in a large repertoire of piano music — ranging from miniatures to virtuosic etudes and sonatas. Growing out of the nineteenth century romantic tradition, and highly influenced by the social conditions of the time, Russian composers developed a distinctive style which […]

In 1908, after a period of intense period of immersion in English music due to his role as editor of Hymns Ancient and Modern, Vaughan Williams “came to the conclusion that I was lumpy and stodgy, had come to a dead-end, and that a little French polish would be of use to me.” (1) He […]

“I need to start from the assumption that the world of spirit is ordered, structured by its very nature, that everything  which causes disharmony in the world, all that is monstrous, inexplicable, and dreadful … And the formula for world harmony is most likely linked not to the blurring of evil but to the fact […]

Mike Brown interviewers musical theatre composer Stephen Sondhiem: When I venture that his songs might suggest that he has a somewhat jaundiced view of love, he momentarily flares into irritation. ‘How can you tell? Every single song I’ve ever written is sung by a character created by somebody else. Some might have a jaundiced view […]

To mark the 400th anniversary of Henry Hudson's voyage up the Hudson river in New York, composer Joseph Bertolozzi sampled sounds of percussively hitting various parts of the bridge.  He now has his sights set on using the Eiffel Tower.  Wakin, Daniel, ""After Music from a Bridge, Why Not A Tower?"", Arts Beat, 8 July […]

“Every great work of art has two faces: one toward its own time and one toward the future, toward eternity.” — Daniel Barenboim. Cited in: Barenboim, Daniel & Said, Edward (2002) Parallels and Paradoxes: Explorations in Music and Society. New York: Pantheon Books.

Songwriter Johnny Green recalled Gershwin bragging about his achievements after a concert, eventually to stop and say: “That’s enough about me.  Now what did you think about how I played?” Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon Press, p.46.

James Huneker, a critic with the New York Courier, wrote about the impact of Brahms’ music on him: Brahms dreams of pure white staircases that scale the infinite. A dazzling, dry light floods his mind, and you hear the rustling of wings – wings of great terrifying monsters; hippogrifs of horrid mien; hieroglyphic faces, faces […]