The silent bass clarinetDuring a rehearsal of Schubert’s Unfinished Symphony: Stokowski had inserted a gratuitous part for bass clarinet. “It so happens,” wrote O’Connell, “that the player of this instrument was a quite temperamental gentleman as well as a composer, and when he saw Stokowski’s addition to Schubert’s score, he was possessed by fury.” When he expressed his […]
The evolution of the jazz traditionAmerican jazz music is, in many ways, rooted in its “traditional” repertoire – the American “Songbook” of “standards”. There are, however musicians who emphasise the importance of a fresh approach: If jazz has a future, musicians like Matt Mayhall could help it get there. A lanky, bespectacled Reno native and graduate of Cal Arts, where […]
A hundred violins may play softer than oneJohn Holmes “reiterates that only with a large group can you get a truly soft sound. Sure, a solo fiddle can hold its own against a hundred fiddles: a hundred fiddles are never a hundred times louder than a solo at the same dynamic, since there’s no such animal as “a same dynamic,” or even […]
Inner-most feelings can be expressed in musicTaneyev was critical of Tchaikovsky’s Fourth Symphony. Tchaikovsky’s response ended with: “I can see you laughing as you read all of this, you sceptic and mocking-bird. In spite of your great love of music it seems you still can’t believe that a man can express his inmost feelings in his compositions. You just wait!” Cited […]
Music as an emotional scienceMusic sets up a certain vibration which unquestionably results in a physical reaction. Eventually the proper vibration for every person will be found and utilized. I like to think of music as an emotional science. — George Gershwin Daniel Albright. Modern and Music: An Anthology of Sources. Chicago, The University of Chicago Press, p. 388.
Beethoven’s handwritingFranz Xaver Schnyder von Wartensee (1786-1868) was a composer who wanted lessons with Beethoven. Beethoven would only look at his compositions. Schnyder often dined in the Mehlgrube, because he knew that Beethoven often went there at the same time in the evening. One lovely spring night Schnyder, on entering the restaurant, saw his friend Beethoven […]
Energy from work“The more work that you make, the more energy you have to make work.” – Garry Stewart, artistic director of the Adelaide-based Australian Dance Theatre. Edwards, Verity. “Dance maker with edge on top of world”, The Australian, 22 July 2011, p.7.
Meditation ITitle: Meditation I Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:
Rachmaninoff on music“What is music? How can one define it? Music is a calm moonlit night, a rustling of summer foliage. Music is the distant peal of bells at eventide. Music is born only of the heart and it appeals to the heart. It is love. The sister of music is poetry and the mother – sorrow!” […]
Rising after we fall“Our greatest glory is, not in never falling, but in rising every time we fall.” — Oliver Goldsmith (1762) The citizen of the world: or, letters from a Chinese philosopher, residing in London, to his friends in the east, Dublin: printed for George and Alex. Ewing, 1762, letter 7, p. 30. Digitally archived at https://quod.lib.umich.edu/e/ecco/004776950.0001.001/1:9?rgn=div1;view=fulltext, […]