There is a story that Igor Stravinsky went to the New York jazz club Birdland one evening in 1951. Whispers went round that the great composer was in the house. When Charlie Parker came on with his quintet, he didn’t acknowledge Stravinsky in person, but seamlessly quoted The Firebird in his first number, the furiously […]

“The illiterate of the future are not those that cannot read or write. They are those that can not learn, unlearn, relearn.” -Alvin Toffler, American writer and futurist Cited at QuotationsBook

In art there are tears that do often lie too deep for thoughts. – Louis Kronenberger L. Kronenberger, Company Manners: A Cultural Inquiry into American Life, Indianapolis, Bobbs-Merrill, 1954, p. 42.

This culmination may be at the end or in the middle, it may be loud or soft; but the performer must know how to approach it with absolute calculation, absolute precision, because, if it slips by, then the whole construction crumbles, and the piece becomes disjointed and scrappy and does not convey to the listener […]

Numbering of psalms. Different translations of the psalms have been used. For consistency, the psalms are labelled by the Hebrew numbering first, followed by the Greek number in parenthesis.

Morrell gave Handel the words of Cleopatra’s air “Convey me to some peaceful shore” in Alexander Balus, he cried out “Damn your Iambics!”. Morell offered to change them to trochees and went into the next room to do so, only to find about three minutes later that Handel had set them as they stood.” Dean, […]

Abraham Chasin performed the premier of his Second Piano Concerto with the Philharmonic Orchestra in March 1933.  It was conducted by Leopold Stokowski: At the first one [rehearsal], as I walked to the piano I was surprised to see Stokowski’s assistant, Artur Rodzinski, on the podium; Stokowski was sitting in solitary elegance in one of […]

Title: Lord, make us turn to you Text: Psalm 79 (80) Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

In 2010, Violinist Nikolaj Znaider performed Elgar’s Violin Concerto on the same 1741 violin in which Kriesler premiered the work on a hundred years before. Znaider was not worried about comparisons to Kriesler’s original performance: “he way I think of music is that it really is something that is played in the moment – it’s […]

Schumann once attended a masquerade during the carnival of 1830, in company with his friend Rosen, for the purpose of paying some attention to a pretty but otherwise insignificant girl.He knew that she would be present at the ball, and, as a pretext for approaching her, put a poem in his pocket.Fortune favored him: he […]