Composer: Joe HisaishiArranger: Greg SmithTitle: “Master of the Tomb”, from The Boy and the HeronInstrumentation: Piano Solo This item is available from Sheet Music Direct and Sheet Music Plus.

Mozart’s comments on the musical style of his piano concertos (K. 413-415) portray his underlying aesthetic principle that music should be clear and accessible: I still have 2 concertos to write to complete my subscription concerts. – These concertos are a happy medium between what’s too difficult and too easy – they are Brilliant – […]

Funnily, my deep conviction is that no idea or concept of true artistic importance can be imparted or transferred. The real things are those that you grow yourself in your own garden, without anyone overseeing. In that sense art is the land of absolute sole responsibility. There is nothing that cannot be challenged, but in […]

Title: Lullaby for Edward Composer: Greg Smith Instrumentation: Piano duet Level: Piano I – Level 1 (5 finger position, left and right hands) Product medium: PDF score & MP3 accompaniment track SAMPLES: (audio sample of accompaniment track only)

Leopold Stokowski gave the Philadelphia premiere of Ravel’s Bolero as an “encore” at a Friday afternoon concert. The newspaper critics had all left the hall, and so once again word of mouth had to prove its effacy, for at the Saturday night concert, after the last number, the audience applauded with unusual fervour and would […]

I feel like a ghost wandering in a world grown alien. I cannot cast out the old way of writing, and I cannot acquire the new. I have made intense effort to feel the musical manner of today, but it will not come to me. Unlike Madame Butterfly with her quick religious conversion, I cannot […]

“Our happiness in this world depends on the affections we are able to inspire.” – Duchess Prazlin Cited at QuotationsBook

“It is surprising what a man can do when he has to, and how little most men will do when they don’t have to.” — Walter Linn The Signalman’s Journal, Brotherhood of Railroad Signalmen, vol. 29-30, 1948, p.188. 

Sergei Prokofiev was once asked to give a piano recital. He declined, offering this explanation: “It would cost me half a sonata.” Source: Samuel, Prokofiev

Raoul Berger (who eventually had a fall out with the conductor Stokowski and left The Philahrmonic Orchestra) described Stokowski’s rehearsal process: In rehearsal Stoki was given to the methods of a marine drill-sergeant, brutal and insulting.  In those days he was accustomed to make sweeping changes every season, so that those who were dependent on […]