“A lot of what you call the great repertoire is popular, but that doesn’t mean it’s not a great work. I mean, come on. Rachmaninoff 3 is great. There shouldn’t be ‘If this work is so popular, then don’t do it.’ In the art world it is only what you feel right to perform.” Lang […]

George Plimpton, a writer and sportsman, asked if he could play in the New York Philharmonic for a month to write about the workings of an orchestra.  Leonard Bernstein assigned him to the percussion section.  The principal percussionist, Walter Rosenberg, recalled his experience: During rehearsals I would lean over and point to where we were […]

The career of a musician out to be — it is, actually, and in many ways — different from the careers of artists in other fields of art.  All comparisons of the other arts with music are necessarily somewhat superficial.  The art of music needs, essentially, not much contact with social groups, or concern with […]

When Vladimir Horowitz performed in Japan: …. a kitchen had to be built in his suite because he insists that all his meals – fish or chicken only – be taken there. The electrical wiring ran afoul of Tokyo fire laws, requiring new wallpaper and a special floor. Several critics suggested in a music journal […]

Many studies are now discovering that learning a musical instrument is something positive in itself – a discipline that helps a person to acquire skills of co-ordination. concentration, and perseverance. It shares these with sport, of course, but there is more. What makes playing a musical instrument worthy of special attention is that its physical […]

George Gershwin, a pioneer of the fusion of jazz, musical theater and classical idioms, wrote two essays on the significance of jazz for American music: THE great music of the past in other countries has always been built on folk-music. This is the strongest source of musical fecundity. America is no exception among the countries. […]

“Only mediocrities progress. An artist revolves in a cycle of masterpieces, the first of which is no less perfect than the last.” – Oscar Wilde, in a letter to the editor of the Pall Mall Gazette, 22 September 1894

Beethoven, who is often bizarre and baroque, takes at times the majestic flight of an eagle, and then creeps in rocky pathways. He first fills the soul with sweet melancholy, and then shatters it by a mass of shattered chords. He seems to harbor together doves and crocodiles. A review of Beethoven’s First Symphony, Tablettes […]

“Edison failed 10, 000 times before he made the electric light. Do not be discouraged if you fail a few times.” – Napoleon Hill, American author