Sometimes, I’ll work through it, and sometimes, you know, you might have to make a couple of test bottles or test wines, and it helps you get closer.  But if I don’t stop, I might get on the machine here and make five tracks, but I know that they’re not really worth anything.  I’m just […]

Seiji Ozawa recalls Karajan’s overarching concept of music: I really shouldn’t start comparing Karajan and Bernstein. I’m thinking of the word “direction” – the direction of the music. In Maestro Karajan’s case, he had it from birth – the ability to make long phrases. It was something he taught us, the ones who studied with […]

Title: Abstraction III Composer: Greg Smith Instrumentation: Trombone and piano Product medium: PDF score and part SAMPLE:

“My music is melodic.  After all, why add to the world’s problem’s with bad music.” Alexander Prior, composer. Source: Classic FM, December 2009, p.9

“Now I need to say a word to my sister about the Clementi sonatas.  – Anyone who plays them can hear or feel that as compositions they aren’t very much. – There are no remarkable striking passages, except the sixth and the octaves; – and even those I am asking my sister not to spend […]

Title: Impromptu (Op. 97, no.5) Composer: Jean Sibelius (arr. Greg Smith) Instrumentation: Trombone and piano Product medium: PDF score and part

“Happy Birthday to You” is not an accidental success. It is not a traditional song nor did it appear ex nihilo. It originated with the Hill sisters, Patty and Mildred, and was first sung in a kindergarten classroom in Louisville, Kentucky in the late 19th century, back when kindergarten was a social experiment. Patty Smith […]

“The piano that Mozart used for the last 10 years of his life and which he used to compose much of his music was returned to his former home in Vienna for a performance of his music. ‘A big, positive shock was how good the instrument is,’ said Russian pianist Alexander Melnikov after the concert […]

The interpreter is really an executant, carrying out the composer’s intentions to the letter. He doesn’t add anything that isn’t already in the work. If he is talented, he allows us to glimpse the truth of the work that is in itself a thing of genius and that is reflected in him. He shouldn’t dominate […]

Composer: Greg Smith (based on a 16th-century French melody)Title: Fantasia on Ding Dong Merrily on HighInstrumentation: Cello and piano Available from Sheet Music Direct and Sheet Music Plus. SAMPLES: