I remember a few years ago being at a summer academy in the south of France, with Dominique Merlet. The whole atmosphere was great there, as we were a group of like-minded people, keen to learn, work and share ideas in the gorgeous setting of a little medieval French village. The concert at the end, however, was something special. We were supposed to play in an 11th century church, which proved much too small for the number of people who came to listen. Therefore, on a starry summer night, there were lots of people sitting or standing outside, in the dark field, listening to the music coming through the open door of the church. When my turn came to play Premier communion de la Vierge from Messiaen’s Vingt Regards, halfway through my performance I heard the unmistakable sound of a thunder, followed shortly after by a gentle rain, that intensified gradually. In a way it’s just an anecdote, yet I find it could be a nice metaphor for what performance can be, audience and soloist both witnessing something greater than them.
Mihai Ritivoiu, Romanian pianist
“Mihai Ritivoiu, Pianist”, Meet the Artist, https://meettheartist.online/2018/05/09/mihai-ritivoiu-pianist/, accessed 21 February 2021
A performance can be greater than them
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Transformation of art
“Art does not progress – it transforms itself.” – François-Joseph Fétes Siblin, Eric (2009) The Cello Suites. Crows Nest: Allen and Unwin, p. 191.
Glory and Praise For Ever – Dan 3Title: Glory and praise for ever Text: Dan 3:52-56. R. v.52 Composer: Greg Smith Instrumentation: Cantor, SATB refrain, and organ Product medium: PDF score and parts SAMPLE:
StyleI Will Praise Your Name Forever – Psalm 114 (115)Title: I will praise your name for ever Text: Psalm 145 (144): 1-2, 8-11, 13-14. R. cf. v.1 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
I write for all earsWhen Mozart was writing his opera Idomeno, his father warned him to make sure it was accessible to all the audience. Mozart replied: As far as the so-called Popular style is concerned, don’t worry about it; in my Opera you’ll find Musick for every kind of listener = except for those with the long ears […]
‘Real’ instruments in popular music“We’re seeing a big evolution of production, of recording techniques, and of the actual sounds. Everything’s getting sampled and synthesized…. When we do have an acoustic instrument like a saxophone, it tends to get processed to where [it’s] almost unrecognizable.” Jeff Harrington, saxophonist. Cited in, Kelsey McKinney, “Where Did All the Saxophones Go?”, https://getpocket.com/explore/item/where-did-all-the-saxophones-go?utm_source=pocket-app&utm_medium=share, accessed 29 […]
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A lesson with BeethovenOne fearful winter’s day in Vienna, in 1794, the snow standing deep and still falling fast, the traffic almost entirely suspended in the streets, Countess Teresa Brunswick, then a girl of fifteen, was waiting for Beethoven’s arrival, to give her her pianoforte lesson. Weather never stopped him; but when he appeared it was obvious that […]
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Artists and originalityIs genius original? What is original? Originality wasn't a must in Mozart's day. He was like everyone else, only more so. Like everyone else – but no one was like him. Artists don't necessarily feel more deeply than you or me; it's just that they can take the fugitive feelings we all recognize and congeal […]
