The technique of conducting“Technique is communication: the two words are synonymous in conductors.” – Leonard Bernstein, conductor, composer and pianist. Cited at QuotationsBook.
On Artur Schnable’s playingArtur Schnabel is a pianist unlike any other. One is conscious in listening to him of a powerful and original mind revealing unsuspected meanings and complications in music as familiar as Brahms’s Intermezzi and Beethoven’s ‘Waldstein’ Sonata. His tone is a rule dry in anything above a piano, but a sudden touch of the pedal […]
Concert bandThe effects of Brahms’ musicJames Huneker, a critic with the New York Courier, wrote about the impact of Brahms’ music on him: Brahms dreams of pure white staircases that scale the infinite. A dazzling, dry light floods his mind, and you hear the rustling of wings – wings of great terrifying monsters; hippogrifs of horrid mien; hieroglyphic faces, faces […]
Site mapForever I will Sing the Goodness of the Lord – Psalm 88 (89)Title: Forever I will sing the goodness of the Lord (Setting I) Text: Psalm 88 (89) Composer: Greg Smith Instrumentation: SATB and organ Related products: – Forever I will sing the goodness of the Lord (SATB, brass, and organ) Product medium: PDF score and parts SAMPLE:
Music: the product of feeling and knowledgeMusic is at once the product of feeling and knowledge, for it requires from its disciples, composers and performers alike, not only talent and enthusiasm, but also that knowledge and perception which are the result of protracted study and reflection. Hector Berlioz, A Travers Chants. Cited in I. Lipsius, Thoughts of Great Musicians, London, Augener, […]
It is imperative to learn musicThe philosopher Nietzsche noted: “Our emotional life is least clear to ourselves.” For this reason, it is imperative to listen to music, because music makes the strings of our inner life resonate. Even if the result is not complete self-realization, at least we can still feel our essence in the “resonance”. Safranski, Rüdiger (2002) Nietzsche: […]
Stravinsky and Charlie ParkerThere is a story that Igor Stravinsky went to the New York jazz club Birdland one evening in 1951. Whispers went round that the great composer was in the house. When Charlie Parker came on with his quintet, he didn’t acknowledge Stravinsky in person, but seamlessly quoted The Firebird in his first number, the furiously […]
Jazz apprenticeships“Why are jazz apprenticeships so vital in the first place? For one thing the music essentially models a community, with every ensemble thriving on communication, a code of ethics and an implicit grasp of roles. Jazz is also still a young music, with about a century of precedent, imperfectly captured on record and poorly served […]