John E. Borland described in a paper of June 1897: It was customary to commence with a Bach prelude and fugue (usually perverted from one intended for the organ), a Beethoven sonata (choice limited to four or five), some Chopin pieces (there were about twelve orthodox ones to select from), and a Liszt rhapsody. These […]

Bach, a master of harmony and counterpoint, would not settle for imperfect sounds, no matter where he was.  Johann Reichardt recalled: Johann Sebastian Bach once came into a large company while a musical amateur was sitting and improvising at a harpsichord.  The moment the latter became aware of the presence of the great master, he […]

Logically, a hunch makes as much sense as saying, horses have tails; therefore, all tails have horses.”  But in the zany world of films you don’t explain hunches — you just live and die by them. Frank Capra (1971) The Name Above the Title: An Autobiography.  Macmillan, p. 123. 

“Creativity is a type of learning process where the teacher and pupil are located in the same individual.” — Arthur Koestler

“I may not be better than other people, but at least I’m different.” Jean-Jacques Rousseau – Franco-Swiss philosopher and writer.

Title: On the day I call for help Text: Psalm 137 (138): 1-3, 6-8. R. v.3 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:    

Theatre director Herbert Wernicke has taken six of Bach’s Cantatas dealing with the frailty of the human condition and presented them in a staging of mundane human activities.  Albrecht Puhlmann, the general director of Stuttgart Opera, states that “From the woman with the baby to the coffin being carried out, life and death is being […]

In 1893, Tchaikovsky was awarded an honorary doctorate at Cambridge University. Charles Villiers Stanford was involved organising the occasion. He recalled: “In the spring of 1892 we set on foot the organization of the movement to celebrate the Jubilee of the University Musical Society in 1893. The first step taken was the invitation of Verdi […]

Pianist Roger Williams on his hit recording of Autumn Leaves (which was recorded three days after signing his contract with Kapp records): “I said, ‘You mean ‘Falling Leaves’? I didn’t even know the title,” Mr. Williams told the Los Angeles Times in 1996. “I stayed up Friday and then Saturday night working on an arrangement.” […]

"Art isn't your pet – it's your kid.  It grows up and talks back to you."  Joss Whedon, screenwriter