Dee-da-dee-da-dee-da-splat“I also like to play the famous tunes because there’s nothing like inspiring a whole bunch of kids who are struggling to play these pieces on flute. And then they see me ripping through them. They all want to play Flight of the Bumblebee when they’re 11 years Old. And it goes something like “dee-da-dee-da-dee-da-splat!” […]
Obedience and liberty in creativityA great work, I believe, is made out of a combination of obedience and liberty. Such a work satisfied the mind, together with that curious thing which is artistic emotion. Stravinsky said, “If I were permitted everything, I would be lost in the abyss of liberty.” On the one hand he knew the limits, on […]
Climbing Mount Fuji with a cello in hand“In 2007 Italian cellist Mario Brunello climbed to the summit of Mount Fuji and played selections from Bach’s cello suites, declaring that “Bach’s music comes closest to the absolute and to perfection.” Source: Siblin, Eric (2009) The Cello Suites. Crows Nest: Allen & Unwin. p.6.
The role of schoolingYou go to a great school not so much for knowledge as for arts and habits, for the habit of attention, for the art of expression, for the art of assuming at a moment’s notice a new intellectual position, for the art of entering quickly into another person’s thoughts, for the habit of submitting to […]
Comfort in the score of SaulIn 1862 Brahms left Hamburg for Vienna. Brahms was not at all sure that he would remain long in Vienna; but he must have had some premonition that his Hamburg life was nearly over. He found it hard to say goodbye to his old father and mother; though this time he could leave secure in […]
Performance anxiety“There is no anxiety in the present. Anxiety is either in the past, worrying about what was just played, or in the future, worrying about what you are about to play. Nothing can be done about either! Don’t judge or evaluate while you’re performing.” — Charles Schlueter, principal trumpet with the Boston Symphony. Cited in: […]
Stokowski’s ordersA letter from the conductor Leopold Stokowski to Sylvan Levin gives an insight into his sense of humour: Caro Maestro Illustre, Now that you have not a thing to do!!!!! Do you think you would have time to do me a favor and time the whole of Parsifal without cuts? I suggest you do this […]
It must be worth the effortMartinu on creating beautiful music: “It must be beautiful, or it wouldn’t be worth the effort.” Cited in: Calum MacDonald, “Bohuslav Martinu: Cosmopolitan Dreamer”, BBC Music, August 2009, p.45.
Malcolm Sargent on Vaughan Williams’ Sixth SymphonyConductor Malcolm Sargent on Vaughan Williams’ Sixth Symphony: A frightening symphony. For a symphony to be frightening is perhaps a good thing. Here we have the complete testament of a man who, in his seventies, looks back on the human sufferings of his time. I never conduct the Sixth without feeling that I am walking […]
The personality of George GershwinIsaac Goldberg, a friend of George Gershwin, described the composer’s personality: HE was as simple, as unaffected, as modest, and as charming a youth as one could desire to meet. There was nothing about him that was forbidding. He wore his unprecedented celebrity as lightly as if it were a cane – that cane which […]