Bugs Bunny can save classical music

“The future of classical music lies with the younger generation, which must be weaned away from the cacophony of rock and the neon glitter of “American Idol”-type TV shows. Instead of dragging children to concerts, where they squirm with boredom, rent some old movies featuring soundtracks of classical music.

Even toddlers can be exposed to classical music through animated films like “Fantasia” and “Peter and the Wolf.” Elementary schoolchildren would love “What’s Opera, Doc?” (1957), with its thrilling Wagnerian soundtrack as Elmer Fudd chases Bugs Bunny. Tell them the great music is by Richard Wagner. At least this audience will not think that he pitched for the Yankees.”

Les Dreyer, “Invitation to a Dialogue: Saving Classical Music”, The New York Times, 16 November 2012.

Click here to read article.


Posted

in

by


Featured Content

Application of talent
“…all talent, all application will not suffice if one’s whole life is not directed towards being a mediator of great thoughts and feelings. Every deed, yes, every thought leaves its trace on the personality. One must live a life of purity in every detail, even down to the morsel one is putting into one’s mouth. […]
The fire of knowledge
“When teaching, light a fire, don’t fill a bucket.” – Dan Snow, television presenter. Cited at QuotationsBook  
Rustic Dance
Title: Rustic Dance Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:
The key of E-flat
“[The key of E-flat] was reserved mostly for moments of sublime seriousness, appropriate for dying thoughts, or of love unto death, whether human or divine.” – Heartz, Daniel (2003) Music in European Capitols. New York: Norton. Cited in: Siblin, Eric (2009) The Cello Suites. Crows Nest: Allen and Unwin, p. 144.
The art of listening
“It’s a challenge, for me at least, to do nothing but listen.  You need to set aside time for it.  You need to concentrate on the music alone (and not on your next deadline).  But when it works, you open yourself up to the transcendent ecstasy good music can bring.” Francis Merson, editor, Limelight, April […]
Musical taste in England in 1925
A general perspective of musical taste in Britain in the 1920s can be seen in the letters to radio broadcasters. In 1926, the B.B.C. (at that time, the British Broadcasting Company) (1) compiled correspondence to the company. In the week ending December 4, of the 7600 letters received, 302 were critical: 125 condemned dance music […]
Beauty Around Us – Bernhard Severin Ingemann
Title: Beauty Around Us Composer: Greg Smith Based on text by: Bernhard Severin Ingemann Instrumentation: Piano (easy) Product medium: PDF score     Related products:     – Beauty Around Us (piano version)     – Beauty Around Us (easy piano version)     – Beauty Around Us (mp3) SAMPLE:    
Sanctuary (The Boy and the Heron)
Composer: Joe HisaishiArranger: Greg SmithTitle: “Sanctuary”, from The Boy and the HeronInstrumentation: Piano Solo Available from Sheet Music Direct and Sheet Music Plus.
Performance practice issues in Russian Piano Music
ABSTRACT The nineteenth and twentieth centuries witnessed the rapid growth of musical culture in Russia. This resulted in a large repertoire of piano music — ranging from miniatures to virtuosic etudes and sonatas. Growing out of the nineteenth century romantic tradition, and highly influenced by the social conditions of the time, Russian composers developed a distinctive style which […]
Environmental soundscapes
In the 1960s, the Canadian composer R. Murray Schafer founded the World Soundscape Project at Simon Fraser University.  The research group explored the sonic environment.  Later projects would include  The Vancouver Soundscapes of Canada (1973), European Sound Diary, and Five Village Soundscapes.  In his book on the subject, The Tuning of the World, Schafer wrote […]