Mattheson on the allemandeAn allemande is a stately processional couple dance. The dances formed lines of couples, extended their hands, and moved forward and backward throughout the ballroom. It was a common stylised dance in baroque music. Johann Mattheson described it in 1739: Now the allemande is a broken, serious, and well constructed harmony, which is the image […]
Accessibility for kidsBenjamin Britten wrote the score to Instruments of the Orchestra, which would become the concert work, Young Persons Guide to the Orchestra. The theme to the score was based on a hornpipe from Purcell’s Abdelzer. Britten commented to the producer, Basil Wright, that “I was never really worried that it was too sophisticated for kids […]
Music as a metaphor … or not“Most music is metaphor, but Wolff is not. I am not metaphor either. Parable, maybe. Cage is sermon.” – Morton Feldman, American composer Cited in Tom Johnson, Remembrance, September 1987. Accessed 11 May 2013.
Rachmaninoff on the culminating point in performanceThis culmination may be at the end or in the middle, it may be loud or soft; but the performer must know how to approach it with absolute calculation, absolute precision, because, if it slips by, then the whole construction crumbles, and the piece becomes disjointed and scrappy and does not convey to the listener […]
Creative people produce being“Creative people, as I see them, are distinguished by the fact that they can live with anxiety, even though a high price may be paid in terms of insecurity, sensitivity, and defenselessness for the gift of the “divine madness,” to borrow the term used by the classical Greeks. They do not run away from non-being, […]
A monkey on his shoulderCellist Walter Joachim spend some time in Calcutta, India. He recalled: “I bought a monkey with which to amuse myself. We played. He was sitting on my shoulders for hours when I was practising.” Joachim practised at least one or two movements of a Bach suite. “I started my day usually with Bach or a […]
I am not highbrowAfter writing his opera Porgy and Bess, producers in Hollywood started to think that Gerswhin was turning “highbrow”. George and Ira Gerswhin’s agent told Ira :”They think George is too highbrow. Can’t he write a few words and explain to them?” George wired: “Rumours about highbrow music ridiculous. Am out to write hits.” – George […]
To burn with desire“To burn with desire and keep quiet about it is the greatest punishment we can bring on ourselves.” — Federico García Lorca, Blood Wedding and Yerma A. Flores (ed.), Great Spanish Plays in English Translation, New York, Dover, 1991, p.441.
Music is richer than words“If I could express the same thing with words as with music, I would, of course, use a verbal expression. Music is something autonomous and much richer. Music begins where the possibilities of language end. That is why I write music.” Jean Sibelius, in an interview with Berlingske Tidende, 10th June 1919. Cited at: www.sibelius.fi […]
Dreaming of FigaroBy 1790, Haydn has become dissatisfied with life at Eszterhaza. On 9th February he wrote: Well! I sit in my wilderness; forsaken, like some poor orphan, almost without human society; melancholy, dwelling on the memory of past glorious days. Yes; past, alas! And who can tell when these happy hours may return? Those charming meetings? […]
