“When you’re young, you can be taken with the impulse of the moment and the beauty of a phrase, but the older you get, the more you see that the phrase is only beautiful because of the context within which it works. The melody is only the outward manifestation of something quite deep inside and it’s to come to terms with this that one studies.”
Pianist Murray Perahia. Cited in: Nick Shave, “Mull Over Beethoven”, BBC Music, July 2009, p.27.
Context and beauty
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Love Came Down At Christmas (MP3)
Title: Love came down at Christmas Text: Christina Rossetti Composer: Greg Smith Instrumentation: Piano solo Product medium: MP3 audio Related products: – Love came down at Christmas – SATB and piano (PDF score) – Love came down at Christmas – Piano solo (PDF score) Samples:
Skye Boat SongTitle: Skye Boat Song Composer: Scottish folk melody (arr. Greg Smith) Instrumentation: Piano Product medium: PDF score
Saint-Saens on Bach and Mozart“What gives Sebastian Bach and Mozart a place apart is that these two great expressive composers never sacrificed form to expression. As high as their expression may soar, their musical form remains supreme and all-sufficient.” – Camille Saint-Saëns, from a letter to Camille Bellaigue, 1907 Cited in: Fisk, Josiah (ed.) (1997) Composers On Music: Eight […]
Mass of SolidarityTitle: Mass of Solidarity Text: Roman Catholic Mass Composer: Greg Smith Sections: – Penitential rite – Gloria – Gospel acclamation – Creed – Holy – Eucharistic acclamations – Amen – Lamb of God Additional: – Gospel acclamations for Lent (Glory and Praise to You) – Gospel acclamations for specific Sundays or Feasts available on request. Instrumentation: – SATB […]
An artist’s job is not for small talkNora Guthrie, Woody's daughter, once told me a story about a reception she was at where Bob Dylan was in attendance. The business people there were quietly commenting on how unsociable Dylan seemed to them, not what they imagined an encounter with Dylan would be like. When that observation about Dylan's behavior and disposition were […]
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Franz Schubert: Six Moments Musicaux (Musical Moments), op.94(i) Moderato (C major) (ii) Andantino (A-flat major) (iii) Allegro moderato (f minor) (iv) Moderato (c-sharp minor)/ (v) Allegro vivace (f minor) (vi) Allegretto (A-flat major) In 1929, Oscar Bie reflected on Schubert: That face! . . . It is the face of a teacher, but not of a strict one. The hair curls about […]
Difficult music is the easiest to playScriabin’s fiery D#-minor Etude, with its relentless triplets and huge leaps, used to just fall under my fingers, while the Lento final movement of the Copland Sonata was a minefield of wrong notes. Why is that? Is it just because we practice hard music 20 times as much as easy music, or is it psychological, […]
The soloist will get his wayPianist Freddy Kempf on the recording process: Solo recording is the most indulgent type … it’s 90 per cent down to me. The producer can shout at me all he likes, but if I am set on doing it my way, there’s few people who can stop me! – Freddy Kempf, in an interview with […]
My tempo must be followedRavel was very particular about how his works were performed. Ravel always insisted that the tempo for Boléro should be moderate and rigorously maintained throughout. He made a recording of that, too establishing his requirement. Toscanini took it much faster and made an accelerando towards the end. Ravel, who was in the audience, objected. He […]