In 1926, conductor Leopold Stokowski inserted the following into the Philadelphia Orchestra programs: The great conviction has been growing in me that the orchestra and conductor should be unseen, so that on the part of the listener more attention will go to the ear and less to the eyes. The experiment of an invisible orchestra […]

1 1

In 1908-9, Claude Debussy made two appearances conducting his own works in England.  The Musical Times reported on the occasions. The report on the first concert: Nothing could have been heartier than the applause which greeted M. Claude Debussy as he stepped on to the platform at Queen’s Hall on February 1.  The warmth of […]

Title: The Battle of the Somme (silent movie score) Composer: Greg Smith Instrumentation: Piano Product medium: Full score (PDF download) – 80 pages     Related products:     – The Battle of the Somme (MP3) Background: In 1916 France was struggling to fend off German occupation.  It had become apparent that to break the stalemate Britain […]

“You don’t get harmony when everybody sings the same note.” Doug Floyd, editorial editor of The Spokesman Review

“I think that one way toward a more intelligent and involved appraisal is through a connection with the pieces, and that one way to develop that connection is to talk about what the pieces mean to people who have spent a lot of time with them: the content, if you will. This approach can also […]

Taneyev was critical of Tchaikovsky’s Fourth Symphony. Tchaikovsky’s response ended with: “I can see you laughing as you read all of this, you sceptic and mocking-bird.  In spite of your great love of music it seems you still can’t believe that a man can express his inmost feelings in his compositions.  You just wait!” Cited […]

Title: The Lord is my light (Setting II) Text: Psalm 26 (27): 1, 4, 13-14. R. v.1 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

“The mediocre teacher tells. The good teacher explains. The superior teacher demonstrates. The great teacher inspires.” – William Ward, author Cited at QuotationsBook  

Leopold Stokowski was staging a concert version of Mussorgsky’s Boris Godunov. Natalie Bodanya, one of the finest singers at Curtis at the time, refused to audition, noting how “impersonal and impossible Stokowski was. Stokowski had filled all the roles, with the exception of that the Princess. “Is it possible” Stokowski asked Sylvan [Sylvan Lenin, a […]