Emerging from suffering

“Out of suffering have emerged the strongest souls; the most massive characters are seared with scars.”

– Kahlil Gibran, Broken Wings


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Memories (The Boy and the Heron)
Composer: Joe HisaishiArranger: Greg SmithTitle: “Memories”, from The Boy and the HeronInstrumentation: Piano Solo This item is available from Sheet Music Direct and Sheet Music Plus.
A conductor’s hair style
In Halina Rodzinski’s book Our Two Lives she describes how on the very first day Artur Rodzinski came to assist Stokowski in 1929, his boss immediately restyled his hair without a part and combed straight back from the brow.  “That’s how a conductor should look,” said Stokowski, pointing Rodzinski at a mirror in his dressing […]
Music is a moral law
Music is a moral law. It gives soul to the universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything. – Plato
O Lord, Our God, How Wonderful Your Name – Psalm 8
Title: O Lord, our God, how wonderful your name Text: Psalm 8:4-9. R. v.2 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Julius Asal on interpretation
On the one hand, I believe that to connect tradition and innovation is the most important thing to me personally. On the other hand, to explore the score and be close to what the composer wanted is essential. There is a way to find your own language within the details that the composers left. Julius […]
A Beethoven fan
In an interview with Beethoven scholar K. E. L. Nohl, Schubert’s friend, Moritz von Schwind revealed that Schubert sold his books so that he could get tickets to the third version of Beethoven’s opera, Fidelio. Ferdinand Luib In an interview with Ferdinand Luib, Anselm Hüttenbrenner stated that Schubert’s favourite works were Beethoven’s Fifth Symphony, Mass […]
Vladimir Horowitz on encores
”You see,” he said, ”I have a very substantial program, and after a substantial program, you can’t play a substantial encore. You play a little … ” at this, he strummed the air with his fingers, tinkling an imaginary piano. ”It is,” he said, ”anticlimactic.” Clyde Haberman, “3,500 Japanese Applaud Horowtiz for 14 Minutes”, The […]
Stokowski’s first rehearsal with the Philadelphia Orchestra
On Stokowski’s first rehearsal with the Philadelphia Orchestra: From Oscar Schwar, a fellow faculty member at Curtis who became my friend, I heard the details of Stokowski’s first contact with the orchestra.  He would never forget, he said, that Monday morning of October 7, 1912, when an amazingly young and handsome Stokowski, wearing a light […]
Dee-da-dee-da-dee-da-splat
“I also like to play the famous tunes because there’s nothing like inspiring a whole bunch of kids who are struggling to play these pieces on flute.  And then they see me ripping through them.  They all want to play Flight of the Bumblebee when they’re 11 years Old.  And it goes something like “dee-da-dee-da-dee-da-splat!” […]
There’s one way to get him to play
People often begged him to play a little air on the violin, but he refused great lords and his fellow de-bauchers alike.  The only person who succeeded in making him play was the Marshal de Grammont.  He had a footman called La Lande who later became one of the best violinists in Europe.  After a […]