Stravinsky on composition

“For me, as a creative musician, composition is a daily function that I am compelled to discharge. I compose because I am made for that and cannot do otherwise … I am far from saying that there is no such thing as inspiration; quite the opposite. It is found as a driving force in every kind of musical activity … But that force is only brought into action by effort, and that effort is work. Just as appetite comes by eating, so work bring inspiration, if inspiration is not discernible at the beginning. But it is not simply inspiration that counts. It is the result of inspiration – that is, the composition.”

– Igor Stravinsky.

Cited in: Nettl, Paul (1969) The Book of Musical Documents. New York: Greenwood Press, pp.324-5.


Featured Content

Brahms’ stingy side
Musicologist Richard Leonard describes a stingy side to Brahms’s personality: It is true that at times he was generous, giving away large sums to persons in need, and often imposing a strict secrecy; but about his own affairs he was as congenitally stingy as a peasant.  He bought only the cheapest clothes, wore the same […]
How piano wires have changed throughout history
While piano wire has changed over the centuries from iron to steel of varying qualities, researchers were surprised to find that the sound produced by the instruments’ wires has remained largely unchanged. “I thought as the wire evolved — as the tension evolved — harmonicity would also change over time,” Purdue University physics professor Nicholas […]
Cello and piano
Simon on improvisation
“Improvisation is too good to leave to chance.” -Paul Simon, singer & composer Cited at Aphorism.ru. Accessed 31 March 2013. 
A Swan (Ein Schwan) (Grieg)
Title: A Swan (Ein Schwan), op. 25, no.2 Composer: Edvard Grieg Arranger: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part Sample:
The creative process
Not just a one hit wonder … but there was an audience favorite
Rachmaninoff’s Prelude in C-sharp minor proved very popular with the public. At times, it was programmed “by request” (1), and if not was freqently expected as an encore. In 1922, Rachmaninoff performed in the Queens Hall (London). A critic in the Musical Times described the event: It was clear that the bulk of those who filled Queen’s Hall […]
Diderot on good music
“Good music is very close to primitive language.” Denis Diderot (Elements of Physiology, 1875)
Julius Asal on interpretation
On the one hand, I believe that to connect tradition and innovation is the most important thing to me personally. On the other hand, to explore the score and be close to what the composer wanted is essential. There is a way to find your own language within the details that the composers left. Julius […]
Start with one note
Ravel in conversation with Mme André Bloch: “I don’t have ideas.  To begin with, nothing forces itself on me.” “But if there’s no beginning, how do you follow it up? What do you write down first of all?” “A note at random, then a second one and, sometimes, a third.  I then see what results.  […]