When I was 19 years old I joined Columbia Artists in New York.  It was my first management and a momentous event in my life.  All of a sudden here I was, part of what was perceived to be one of the most prestigious such organizations in the country.  It was a big time and […]

“Writing and performing an opera, creating any work of art in a world of violence and ease, hunger and obesity, could seem to be an act of private withdrawal. But art isn’t about itself, it’s about how men relate to the world and each other … Asking artists to keep politics out of art is […]

A German proverb says: Bose Menschen haben keine Lieder (bad men don't sing) . It is not impossible that out of a tremendous movement of amateur community music a peace movement could spread over the world. Could it not be supported by our high dignitaries? Instead of the president of the United States solitarily playing […]

Title: Abstraction VII Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLES:

“The man who removes a mountain begins by carrying away small stones.” – Chinese proverb

“There once was a brainy baboon who always breathed down a bassoon for he said, It appears that in billions of years I shall certainly hit on a tune.” -Ezra Pound – American poet, musician and critic Cited at: QuotationsBook  

Rob Deemer highlights several aspects needed for a composer to survive in the artistic community: – ability to accept “failure” (entering competitions, etc.) – maintaining a “stubbornness” to achieve recognition – promoting not only your best works, but also occasionally enjoying the success of your “foibles” – having a sense of “who you are” as […]

Title: Love came down at Christmas Text: Christina Rossetti Composer: Greg Smith Instrumentation: Piano solo Product medium: MP3 audio     Related products:     – Love came down at Christmas – SATB and piano (PDF score)     – Love came down at Christmas – Piano solo (PDF score) Samples:

For me, one of the ultimate goals of a performance is to make pieces come across as something new, something unexpected and fresh. As soon as you start working with historical instruments, you are jeopardising this aspect. It is very difficult to get away from that; some performers manage it magically, but I don’t see […]

When Spanish cellist Pablo Casals was in his seventies, he retired from the concert stage and lived in Prades, Southern France. Casals began each day by playing from Bach’s Well-Tempered Clavier on the piano (1), then heading out for a walk with his German shepherd, cocking an ear for birdsong and saluting the snow-capped peak […]