Greatness

Greatness means the construction of an inner world, and the communication of this inner world to the physical world of humanity.  The two belong together; neither is thinkable without the other.  The strongest feeling and the most vivid imagination are worthless to humanity if they do not manifest themselves; the greatest constructive talent is worthless if it does not serve a creative power that is capable of forming a cosmos.

Einstein, Alfred (1941) Greatness in music.  Trans. César Saerchinger.  New York: Oxford, p.163.  Cited in: Barrett-Ayres, Reginald (1974) Joseph Haydn and the String Quartet.  London: Barrie & Jenkins, p. 387.

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Art and humanity
“Writing and performing an opera, creating any work of art in a world of violence and ease, hunger and obesity, could seem to be an act of private withdrawal. But art isn’t about itself, it’s about how men relate to the world and each other … Asking artists to keep politics out of art is […]
Elgar on his Violin Concerto
“It’s good! Awfully emotional! Too emotional, but I love it…” Edward Elgar on his own Violin Concerto Jeremy Pound, “First Violin”, BBC Music Magazine, October 2010, p. 36.
The London Proms in the 1930s
A recollection of the London Proms in 1936: The behavior of the Promenaders was more genteel in those days … there wasn’t the same degree of shouting as now.  During the famous hornpipe in Henry Wood’s Fantasia on British Sea Songs people tapped with their umbrellas and sticks, rather than stamping.  As the applause went […]
Ravel’s fine attributes as a composer
On his tour to America in 1928, Ravel was highly praised by music critics.  In the New York Times, Olin Downeswrote: Never to have composed in undue haste; never to have offered the public a piece of unfinished work; to have experienced life as an observant and keenly interested beholder, and to have fashioned certain […]
Mozart and Beethoven
“Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each […]
A note about Chopin
The following appeared in the Musical Times in 1913: An amusing story, for the truth of which we can vouch, comes to us from Toronto. An organist had drawn up the order of a Sunday service, and it was in type ready for printing, when the death of an important personage made a change necessary. […]
O Lord, Our God, How Wonderful Your Name – Psalm 8
Title: O Lord, our God, how wonderful your name Text: Psalm 8:4-9. R. v.2 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Rachmaninoff and phrasing
A student of Rachmaninoff, Ruth Slenczynska, recalled: I remember how Rachmaninoff explained to me the problem of phrasing: he showed me an elastic band and stretched it slightly, then allowed it to bounce back; next, he stretched it beyond a certain point, and it snapped. He meant to say that no part of a musical […]
The Jankó Keyboard
The Hungarian mathematician, Paul von Jankó developed an alternate layout to the traditional piano keyboard. In July 1888, upon seeing a performance in London by John Carlowitz Ames, The Musical Times reported: The clever idea, which suggested itself to the inventor as a means for overcoming the difficulty of stretching long intervals on the pianoforte […]
Abstraction III
Title: Abstraction III Composer: Greg Smith Instrumentation: Trombone and piano Product medium: PDF score and part SAMPLE: