Greatness

Greatness means the construction of an inner world, and the communication of this inner world to the physical world of humanity.  The two belong together; neither is thinkable without the other.  The strongest feeling and the most vivid imagination are worthless to humanity if they do not manifest themselves; the greatest constructive talent is worthless if it does not serve a creative power that is capable of forming a cosmos.

Einstein, Alfred (1941) Greatness in music.  Trans. César Saerchinger.  New York: Oxford, p.163.  Cited in: Barrett-Ayres, Reginald (1974) Joseph Haydn and the String Quartet.  London: Barrie & Jenkins, p. 387.


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Harbouring doves and crocodiles
Beethoven, who is often bizarre and baroque, takes at times the majestic flight of an eagle, and then creeps in rocky pathways. He first fills the soul with sweet melancholy, and then shatters it by a mass of shattered chords. He seems to harbor together doves and crocodiles. A review of Beethoven’s First Symphony, Tablettes […]
Baroque they are not
Between 1910 and 1938 the Austrian violin virtuoso Fritz Kreisler produced some arrangements of works by Boccherini, Martini, Couperin, Vivaldi and Porpora. They were positively achieved by the crticis.  In 1935, Kreisler revealed that there were not arrangements at all, but in fact works which he had written from scratch.  Suddenly critic’s attitudes to the […]
Ravel’s fashion sense
Ravel was always particular about his sense of fashion.  As Léon-Paul Fargue recalled: Even when he was wasted by illness, Ravel never appeared unkept even among his closest friends.  All his life he kept the perfect, discriminating taste which led him to match his braces to his blue or pink silk shirts, much to the […]
First impressions of Schindler’s List
When renowned composer John Williams first watched a rough cut of Schindler’s List at director Steven Spielberg’s home in Los Angeles, he got so choked up he couldn’t speak. “I had to walk around the room for four or five minutes to catch my breath,” Williams recalls. “I said to Steven, ‘I really think you […]
Hoffman on technique
Technic  represents the material side of art, as money represents the material side of life.  By all means achieve a fine technic, but do no dream that you will be artistically happy with this alone.  There is a technic which liberates and a technic which represents the artistic self.  All technic ought to be a […]
The land knows of its own beauty
What is pertinent is the calmness of that beauty, its sense of restraint. It is as though the land knows of its own beauty, of its own greatness, and feels no need to shout it.” – Kazuo Ishiguro
Trust yourself
All this, my friend, will time provide, And of itself, itself will give; Soon as you in yourself confide, You know the way to live! — Mephistopheles to Faust Johann Wolfgang von Goethe, Faust: A Tragedy, translated by Lewis Filmore, (London: William Smith, 1847), p. 79. First published in the German as Faust: eine Tragödie, […]
Smooth jazz finds new way to reach audiences
With shifts in the commercial music industry away from smooth jazz, musicians are finding new niches for smooth jazz such as cruises. Twenty years ago, of course, smooth jazz wasn’t a code to be cracked so much as a wave to be caught. Like most species of pop, it felt ubiquitous and maybe a little […]
Ode I
Title: Ode I Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE: Your browser does not support the audio element.