Heard but not seen

In 1926, conductor Leopold Stokowski inserted the following into the Philadelphia Orchestra programs:

The great conviction has been growing in me that the orchestra and conductor should be unseen, so that on the part of the listener more attention will go to the ear and less to the eyes. The experiment of an invisible orchestra is for the moment impossible – so I am trying to reach for a similar result by reducing the light to the minimum necessary for the artists of the orchestra to see their music and the conductor.

Music by its nature is remote from the tangible and visible things of life. I am hoping to intensify its mystery and eloquence and beauty.

– Leopold Stokowski.
Cited in: Chasins, Abram (1979) Leopold Stokowski. London: Robert Hale, p.104.


Posted

in

by


Featured Content

Quasi Dance II
Title: Quasi Dance II Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE:
Active listening
Listening to music should always be an active process, and those who attend – pregnant verb – concerts, who listen, who respond, who treasure what they hear there, are musicians. They are the ones who do not let music wash over them like a bubble bath but who actively swim in the water. When vibrations […]
Schumann on music
As to what concerns the knotty question in general of how far instrumental music may go in the representation of thoughts and events, many are here too anxious in their attitude. We are certainly wrong if we believe that composers set out pen and paper to realize the miserable intention of expressing, describing, or painting […]
Beethoven’s prank
Beethoven was a musician for the Electoral court and chapel in Bonn. Franz Wegeler, a friend of of Beethoven’s, recounted an incident where the young Beethoven was to accompany a singer, Ferdinand Heller, in a church service. Heller prided himself on being able to sing in tune, no matter how complicated the accompaniment. Beethoven asked Heller if he […]
A young Josef Hoffmann
The Polish pianist, Josef Hoffmann may have been a child prodigy. Upon hearing him play, Anton Rubinstein, who typically disliked child prodigies said told his manager, “This prodigy I believe in. Hear him!” (1) Yet in 1908, The Daily Graphic looked back on having seen the young pianist: When Joseph Hoffmann was an infant prodigy, […]
Maiky’s recording of Bach’s cello suites
“The Latvian cellist Mischa Maisky recorded the Bach’s cello suites “at a small guest house he converted into a studio and called Sarabande, he had a fence built around it with all the notes of the fifth sarabande crafted on the metalwork.  He gleefully points out that the studio’s address is 720, his Montagnana cello […]
Sondheim on audiences
“I do think audiences become more sophisticated. You try something out on them and they say, “Ugh”. You try it a second time and they say, “Oh”. You try it a third time and they say, “Ooh”. You try it a fourth time and they say, “Oh, that’s awfully old hat.”’ He laughs. ‘That’s the […]
Beauty
The academic teaching on beauty is false. We have been misled, but so completely misled that we can no longer find so much as a shadow of a truth again. The beauties of the Parthenon, the Venuses, the Nymphs, the Narcisusses, are so many lies. Art is not the application of a canon of beauty, […]
The excitement of all possibilities
“Without leaps of imagination, or dreaming, we lose the excitement of all possibilities. Dreaming, after all, is a form of planning.” Gloria Steinem, writer http://www.gloriasteinem.com  
Modifications of Speed 1
Go to more crosswords