Phrases have their own topography—they move forward with the line but also remain wedded to the ground with each change of harmony, and this is where the battle lies, why each piece of music grapples with its own destructive potential, why beauty is never what it appears to be. — Simon Tedeschi S. Tedeschi, Fugitive, […]

The relativity of all these key-colour associations was illustrated during a debate on the whole subject organised in London in 1886 by the Journal “Musical Opinion”. That section of the audience that maintained the definite existence of “key colour” by which it could aurally identify a key was submitted to a test, a well known […]

In the 1960s, the Canadian composer R. Murray Schafer founded the World Soundscape Project at Simon Fraser University.  The research group explored the sonic environment.  Later projects would include  The Vancouver Soundscapes of Canada (1973), European Sound Diary, and Five Village Soundscapes.  In his book on the subject, The Tuning of the World, Schafer wrote […]

Technic  represents the material side of art, as money represents the material side of life.  By all means achieve a fine technic, but do no dream that you will be artistically happy with this alone.  There is a technic which liberates and a technic which represents the artistic self.  All technic ought to be a […]

Brahms attended a Wagner concert in Vienna: All through the concert Johannes sat in stony silence. At the close, when everyone was applauding vigorously, he still made no move or comment.  Finally his companion – beside himself with enthusiasm – cried: “What music! Wasn’t it marvellous?” The composer raised his eyebrows a little.  Then he […]

In Anglican England in the nineteenth and early twentieth centuries, there was considerable opposition to the Roman Catholic Gregorian chant.  The Parish Choir or Church Music Book, published by the Society for the Promoting of Church Music (October 1847), applauds those who “deal heavy blows at Romanism and every other form of dissent.” (1)  Part […]

“Failure to prepare is preparing to fail.” — John Wooden, American basketball player. Wooden, John (1988) Modern Practical Basketball.  Macmillan, p.234

Title: Prayer of Thanksgiving to the Trinity Text: St. Catherine’s Dialogue on Divine Providence Composer: Greg Smith Instrumentation: Concert band (Flt. 1 & 2, Cl. 1 & 2, Alt. Sax., Ten. Sax., Bar. Sax., Trpt 1 & 2, trb, tub., perc.) Product medium: PDF score and parts     Related products:     – Prayer of Thanksgiving to the […]

“The more horrifying this world becomes, the more art becomes abstract.” Paul Klee, Swiss painter Cited at QuotationsBook

Title: Abstraction XVII Composer: Greg Smith Performer: Greg Smith (April 2020) Instrumentation: Piano Product medium: MP3 recording Related products:– Abstraction XVII (PDF score)