Review of Pablo Casals

A Review written in El Alcance of the cellist Pablo Cassals:

His bow, sometimes sweet as a voice from heaven, at other times vibrant and robust, produces such a sonorous combination of voices and tones that it seems that the body of his violincello is the magic secret of sublime harmonies capriciously transformed at the contact of that hand … the most inspired music,. the most artistic intution … his violoncello appears to speak, to moan, to whisper … to exhale signs and sing…

Cited in: Siblin, Eric (2009) The Cello Suites. Crows Nest: Allen & Unwin. p.41.

Posted

in

by

Greg

Tags:

Featured Content

A party piece
Irish pianist and composer George Alexander Osburn (1806-93) was a professor at the Royal Academy of Music and a director of the Philharmonic Society. One of his most popular compositions was La Pluie de Perles (The Shower of Pearls). At a fashionable party, at which he arrived very late, he was invited to play, and […]
The piano as furniture
In the ninteenth century, the piano was not only regarded as a musical instrument but as a part of the decor a room. An article in The Musical Times in February 1893 describes some possible applications: Placed near a bay window, it shuts in the cosiest lovers’ next imaginable. Soft-cushioned window seats that have room […]
Lord, Every Nation on Earth will Adore You (setting ii) – Psalm 71 (72)
TITLE: Lord, every nation on earth will adore you (setting ii) TEXT: Psalm 71 (72): 1-2, 7-8, 10-13. R. cf. v.11 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano PRODUCT MEDIUM: PDF score and part
Schumann as a student
Schumann studied with Dorn, the conductor at the civic theatre. Dorn recalled: Having completed exercises in figured-bass realization, chorale harmonization, and canon, teacher and student moved on to double counterpoint. Intrigued by the mysteries of this discipline, and reluctant to tear himself away from his desk, Schumann once requested that his lesson take place in […]
Puccini’s rain machine
Puccini custom built a villa in the seaside resort of Viareggio. Here, Puccini had a “rain machine that sprinkled water from the trees, beneath which he would stand with an open umbrella, cooling himself from the summer heat. Source: Wilson, Conrad (2008) Giacomo Puccini. London: Phaidon Press, p.205.
The state of opera: 1720s
In 1720 in Italy, opera was largely dictated by the egos of the singers, rather than considering the text, or the composer: The satirical writer Marcello wrote that the opera composer will hurry or slow down the pace of an aria, according to the caprice of the singers, and will conceal the displeasure which their […]
A little ahead … or a little behind
Samuel Sebastian Wesley received great reviews for his conding at Gloucester’s annual Three Choir Festivals in 1865. An critic in The Musical Times wrote in the October issue: We have said nothing of the orchestra during these performances, for in truth the perfect manner in which the whole of the instrumental portions of the works […]
Reich on the accessibility of his music
American composer Steve Reich on his compositional process: When I compose, I notice I’m the only one in the room. (laughs) I tend to be a somewhat self-critical person. I use my emotional faculties to judge whether I want to hear something again. Basically I have no one in mind except pleasing myself. And my […]
Teaching in Kabul
Emma Ayres, a violist and former ABC Classic FM radio presenter, discusses her experience in teaching in Kabul at the Afghanistan National Institute of Music. CP: You teach viola, cello, and violin as well? EA: A little bit of violin and a little bit of double bass, although I’m not a very good double bass […]
Glenn Gould on recording
Pianist Glenn Gould discussed the recording process with Yehudi Menuhin completing the playback of a Bach gigue: Now, Yehudi, you’ve got to admit that you would not be likely to encounter a sound like that in the concert hall… The point is that, if I were to play that piece in a concert hall, as […]