“The chief reason for the degeneration of present-day music lies in the fact that people want to get physical sensations from music more than anything else. Emotion is out of date and intellect a bore. Appreciation of art which has been born of profound thought and intensity of experience necessitates an intellectual effort too exhausting […]

The composer does not sit around wait wait for inspiration to walk up and introduce itself … Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel. — George Gershwin Isaac Goldberg. Tin Pan Alley. New […]

Title: Mighty Like A Moose (silent film soundtrack) Composer Greg Smith Instrumentation: Piano Product medium: PDF score (34 pages) Background:     Written by: Charley Chase & H. M. Walker     Starring: Charley Chase, Vivien Oakland, Gale Henry, Charles Clary, Ann Howe, Malcolm Denny     Directed by: Leo McCarey     Film released: 1926 SAMPLE:

Overheard in a New York street car:— Average Young Man (to neighbour): “Everything they say about Paderewski is true. He’s a perfect genius. Why, he played fourteen pieces and did not once look at the programme. Yet he played straight ahead and never once forgot what piece was to come next. I tell you the […]

It happens because you identify so completely with the composer, you’ve studied him so intently, that it’s as though you’ve written the piece yourself. You completely forget who you are or where you are and you write the piece write there. You just make it up as though you never heard it before. Because you […]

The composer Burton Lane describes George Gershwin’s playing: You could feel the electricity going through the room when he played.  He could transpose into any key with the greatest of ease.  He had total command of what he was doing.  Musical surprises, unusual changes of keys.  He was one of the few composers who had […]

Title: Blue Flemingo Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:

“It is a mark of soulfulness to be present in the here and now. When we are present, we are not fabricating inner movies. We are seeing what is before us.” – John Bradshaw (1992) Creating Love: The Next Great Stage of Growth.  United States: Bantam Books, p.127.

TITLE: Let the Lord Enter (Setting II) TEXT: Psalm 23 (24): 1-6. R. vv.7, 10 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano PRODUCT MEDIUM: PDF score and part SAMPLE:  

Mozart’s musical aesthetics are revealed in a letter to his father about Osmin’s first aria in The Abduction of the Seraglio (Die Entführung aus dem Serail).  The Eighteenth century classical ideals of balance and refinement are evident: I have sent you only the beginning and the end of the aria.  I think it will prove […]