Brahms’ reaction to Wagner’s MusicBrahms attended a Wagner concert in Vienna: All through the concert Johannes sat in stony silence. At the close, when everyone was applauding vigorously, he still made no move or comment. Finally his companion – beside himself with enthusiasm – cried: “What music! Wasn’t it marvellous?” The composer raised his eyebrows a little. Then he […]
The excitement of all possibilities“Without leaps of imagination, or dreaming, we lose the excitement of all possibilities. Dreaming, after all, is a form of planning.” Gloria Steinem, writer http://www.gloriasteinem.com
Fresh ideas of building arts communities"Music is its own language, and, while that language is universal, it is also intensely personal. There are many ways of building communities around the arts. Sometimes you just do it very quietly – with a few people at a time." This blog outlines a touching correspondence between a family and pianist Andre Watts. "Creative […]
What about me?Songwriter Johnny Green recalled Gershwin bragging about his achievements after a concert, eventually to stop and say: “That’s enough about me. Now what did you think about how I played?” Cited in: Greenberg, Rodney (2008) George Gershwin. New York: Phaidon Press, p.46.
Sondheim on expressionMike Brown interviewers musical theatre composer Stephen Sondhiem: When I venture that his songs might suggest that he has a somewhat jaundiced view of love, he momentarily flares into irritation. ‘How can you tell? Every single song I’ve ever written is sung by a character created by somebody else. Some might have a jaundiced view […]
From the heart“What comes from the heart, goes to the heart.” — Samuel Coleridge Taylor, English poet, critic and philosopher. Coleridge, Samuel (1856) Seven Lectures on Shakespeare and Milton. London: Chapman and Hall, page xlv
Piper’s TaleTitle: Piper’s Tale Composer: Greg Smith Instrumentation: Piano duet Level: Piano I – 2 (five finger position – pentatonic scale [black keys]) Product medium: PDF score and MP3 accompaniment track SAMPLE: (Audio sample of accompaniment track only)
Menken on the the strength of music“It’s like, why move to Florida if you don’t like the sun?” says Menken when I visit his home in North Salem, an hour out of New York. “Music is a viscerally powerful medium, both on a bodily level and on an emotional level. There are intellectual components about it, but its basic strength comes […]
Autumn LeavesPianist Roger Williams on his hit recording of Autumn Leaves (which was recorded three days after signing his contract with Kapp records): “I said, ‘You mean ‘Falling Leaves’? I didn’t even know the title,” Mr. Williams told the Los Angeles Times in 1996. “I stayed up Friday and then Saturday night working on an arrangement.” […]
Beethoven our artistic brotherIt is the function of art to bring to us emotions, thoughts, states of mind and heart which are larger and more exalted and more intense than those we can produce ourselves, but which we can still recognize as possible within the compass of our imagination, still lying within our capacity for thinking and feeling. […]