Silence, expression, and musicFrom pure sensation to the intuition of beauty, from pleasure and pain to love and the mystical ecstasy and death—all the things that are fundamental, all the things that, to the human spirit, are most profoundly significant, can only be experienced, not expressed. The rest is always and everywhere silence. After silence that which comes […]
Proportion“The traditional sense of proportion is a hang-up. The usual Mozartean concept of how long an idea lasts becomes too predictable. Some of the composers who talk the most about avoiding predictability are the ones most victimized by this predictable traditional sense of proportion.” – Morton Feldman, American composer. Cited in: Tom Johnson, Remembrance, September […]
The cleansing power of music“Take a music bath once or twice a week for a few seasons, and you will find that it is to the soul what the water-bath is to the body.” Oliver Wendell Holmes, American physician, lecturer and author.
I do not choose my listeners“I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will […]
The Brainy Baboon“There once was a brainy baboon who always breathed down a bassoon for he said, It appears that in billions of years I shall certainly hit on a tune.” -Ezra Pound – American poet, musician and critic Cited at: QuotationsBook
The London Proms in the 1930sA recollection of the London Proms in 1936: The behavior of the Promenaders was more genteel in those days … there wasn’t the same degree of shouting as now. During the famous hornpipe in Henry Wood’s Fantasia on British Sea Songs people tapped with their umbrellas and sticks, rather than stamping. As the applause went […]
Just as we checked the tuning …In 1853, Brahms went on a tour of German cities with the Hungarian violinist Eduard Reményi. In the town of Celle, they were scheduled to play Beethoven’s Sonata in c minor (op. 30, no. 2): but it was found that the piano in the hall was tuned a half tone too low. Reményi refused to […]
A concise rehearsalHans Knappertsbusch (1888-1965) was a German conductor. However, he had a dislike of rehearsals. Karajan recalled: One time he was going over Tchaikovsky’s Fifth with the Vienna Philharmonic. He came to the second movement, with the horn solo, and said, “Let’s start.” He did a few bars, stopped, and said, “See you this evening. You […]