Born for music

“I was born with eyes closed listening to my heartbeat from my mother’s womb… There, without knowing it, I discovered that I would be born and would die for music…”

– Alicastro

Source: Peer Music.


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Ashkenazy on Richter
Pianist and conductor Vladimir Ashkenazy on his colleague Sviatoslav Richter: Richter magnetized me, like he did so many others, and I wouldn’t have missed his concerts for anything. I think he communicated more than anyone else complete devotion and sincerity to his art. When I look back, this is what attracted me most to him […]
Comfort in the score of Saul
In 1862 Brahms left Hamburg for Vienna. Brahms was not at all sure that he would remain long in Vienna; but he must have had some premonition that his Hamburg life was nearly over.  He found it hard to say goodbye to his old father and mother; though this time he could leave secure in […]
Glinka’s compositional priorities
“My earnest desire is to compose music which would make all my beloved fellow countrymen feel quite at home, and lead no-one to allege that I strutted around in borrowed plumes.” – Mikhail Glinka Cited in Jerremy Nicholas, “Mikhail Ivanovich Glinka”, Classic FM, April 2012, p.35.
Rachmaninoff and colour
A student of Rachmaninoff, Ruth Slenczynska: was practising one of Rachmaninov’s preludes when he asked her to join him at the window. It was springtime in Paris, and the avenues were lined with mimosa trees laden with fluffy, golden blossoms. “He said: ‘You see that? That’s what you want to bring to your sound – […]
Abstraction IX
Title: Abstraction IX Composer: Greg Smith Instrumentation: Brass quintet (2 trumpets in B-flat, Horn in F, trombone, bass trombone) Product medium: PDF score and parts SAMPLE:
The development of concert life in London
The public concert, as an institution, dates from England from the Restoration period [from the 1660s]; previously music, unless ecclesiastical or dramatic in character, had been essentially the art of a small circle.  The largess of aristocratic patronage and the profits of publication were the composers’ rewards.  But with the middle of the seventeenth century […]
The nature of music
“A verbal art like poetry is reflective; it stops to think. Music is immediate, it goes on to become.” – W. H. Auden, English Poet Auden, Wystan Hugh ‎(1988) The Complete Words of Auden, Princeton University Press, vol. 3, p. 251.
Einstein as a musician
“If I were not a physicist, I would probably be a musician. I often think in music. I live my daydreams in music. I see my life in terms of music… I get most joy in life out of music.” – Albert Einstein Cited in: Lyth, David (2019) The Road to Einstein’s Relativity. Boca Ranton: […]
Szymanowski’s dogs
The Polish composer Karol Szymanowski was brought up in  very musical environment: he had a dogs named “Scherzo” and “Crotchet”. Source: Palmer, Christopher (1983) Szymanowski.  London: BBC, p. 9.
Communication with the audience
Igor Stravinsky contemplates the ultimate goal of an artist versus reality: “Art postulates communion [between the artist and the audience], and the artist has an imperative need to make others share the joy which he experiences himself. But in spite of that need, he prefers to direct and frank opposition to apparent agreement which is […]