Waste no note“Never write an unnecessary note. Every note must live.” Jean Sibelius, in a radio interview with Kalevi Kilpi, 1948) Cited at: www.sibelius.fi [accessed 31 Mar 2010].
Fantasia on Ding Dong Merrily on HighComposer: Greg Smith (based on a 16th-century French melody)Title: Fantasia on Ding Dong Merrily on HighInstrumentation: Cello and piano Available from Sheet Music Direct and Sheet Music Plus. SAMPLES:
Language at its most powerfulLanguage is at its most powerful when it disturbs, not by arriving at insights/understandings, but by creating possibilities. – Thomas Ogden T. Ogden, Reveries and Interpretations: Sensing Something Human, Lanham, Roman & Littlefield, 2004, p. 219.
‘Real’ instruments in popular music“We’re seeing a big evolution of production, of recording techniques, and of the actual sounds. Everything’s getting sampled and synthesized…. When we do have an acoustic instrument like a saxophone, it tends to get processed to where [it’s] almost unrecognizable.” Jeff Harrington, saxophonist. Cited in, Kelsey McKinney, “Where Did All the Saxophones Go?”, https://getpocket.com/explore/item/where-did-all-the-saxophones-go?utm_source=pocket-app&utm_medium=share, accessed 29 […]
The Lord Gave The Bread – Psalm 77 (78)Title: The Lord gave them bread from heaven Text: Psalm 77 (78):3-4. 23-25. 54 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and parts Sample:
Entertaining to educate“I would rather entertain and hope that people learned something than educate people and hope they were entertained.” — Walt Disney L. Howes, “20 Lessons from Walt Disney on Entrepreneurship, Innovation and Chasing Your Dreams”, Forbes, 17 July 2012, https://www.forbes.com/sites/lewishowes/2012/07/17/20-business-quotes-and-lessons-from-walt-disney/?sh=4b3af9d44ba9.
Liszt’s account of a performance by ChopinFranz Liszt described one of Chopin’s concerts in the Gazette musicale, May 2 1841. Last Monday, at eight o’clock in the evening, M. Pleyel’s rooms were brilliantly lighted up; numerous carriages brought incessantly to the foot of a staircase covered with carpet and perfumed with flowers the most elegant women, the most fashionable young men, […]
A replacement conductorThe following appeared in the Musical Times, August 1890: We read that “a Saxon engineer has invented an automatic machine, the object of which is to save conductors the physical part of their duties. By pressing a button the apparatus, which is provided with an arm holding a conducting-stick, can be made to beat with the […]
Stokowski and his audienceThe conductor Leopold Stokowski had a love hate relationship with his audience: He wooed them and cajoled them, flattered them and then gently reproved them. When they grew fidgety, he shamed them into attentiveness and concentration. “Please don’t do that,” he once admonished an audience of program shufflers. “We work hard all week to give […]
Handel’s speedy methodMorrell gave Handel the words of Cleopatra’s air “Convey me to some peaceful shore” in Alexander Balus, he cried out “Damn your Iambics!”. Morell offered to change them to trochees and went into the next room to do so, only to find about three minutes later that Handel had set them as they stood.” Dean, […]