Title: Abstraction XIV Composer: Greg Smith Instrumentation: Piano Product medium: PDF score Related products: – Abstraction XIV (mp3)This item is currently not in print SAMPLE:

Title: Abstraction II Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:

Tchaikovsky, later in his life, reflected on hearing Mozart's Don Giovanni as a boy: The music of Don Giovanni was the first to conquer me completely.  It awoke an ecstasy in me of which the consequences are known.  It gave me the key to the spheres of pure beauty in which the greatest geniuses soar.  […]

“Some misprints remain on my scores, because for some reason I have always been in a rush to get the proofs to the publisher by the deadline. In the orchestral parts everything has usually been corrected.” Jean Sibelius, to Jussi Jalas, 27th July 1942 Cited at: www.sibelius.fi [accessed 31 Mar 2010].

(i) Moderato (C major) (ii) Andantino (A-flat major) (iii) Allegro moderato (f minor) (iv) Moderato (c-sharp minor)/ (v) Allegro vivace (f minor) (vi) Allegretto (A-flat major) In 1929, Oscar Bie reflected on Schubert: That face! . . . It is the face of a teacher, but not of a strict one. The hair curls about […]

To travel hopefully is a better thing than to arrive, and the true success is to labour. — Robert Louis Stevenson, Virginibus Puerisque, 1881 Stevenson, R. L. (1895). Works. United States: P. F. Collier, Vol. 2, p. 119

Stravinksy on the public not particularly liking his music: Their attitude certainly cannot make me deviate from my path. I shall assuredly not sacrifice my predilections and my aspirations to the demands of those who, in their blindness, do not realize that they are simply asking me to go backwards … I could not follow […]

Tchaikovsky lived in a village Maidanovo.  When Tchaikovsky would go for works, he would also be hailed by groups of village children.  As Sofya Nikolayevna recalled: “They had discovered the times he went out and, as he always liked to gave them something, sweets or a coin, they used to lie in wait for him.” […]

There was soon to be no excuse for not practising in the chill of the winter. This excerpt is from The Musical Times, April 1869: WARMED PIANOS (G. Price’s Patent) – These Instruments invite playing in Winter, when the coldness of the keys of all others makes it unnecessarily uncomfortable, if not painful, to many, […]

Chopin had a free sense of rhythm.  In 1842, Chopin was giving a lessen to Wilhem von Lenz when Meyerbeer walked in.  The Mazurka (op. 33 no. 3) was being played.  von Lenz recounts: Meyerbeer had seated himself; Chopin let me play on. “That is two-four time,” said Meyerbeer. For reply, Chopin made me repeat, […]