“Knowledge about life is one thing; effective occupation of a place in life, with its dynamic currents passing through your being, is another.” – William James, American philosopher and psychologist W. James, Essays in Pragmatism, United Kingdom, Free Press, 1970, p. 113.

Tchaikovsky, later in his life, reflected on hearing Mozart's Don Giovanni as a boy: The music of Don Giovanni was the first to conquer me completely.  It awoke an ecstasy in me of which the consequences are known.  It gave me the key to the spheres of pure beauty in which the greatest geniuses soar.  […]

Title: Beauty Around Us Composer: Greg Smith Based on text by: Bernhard Severin Ingemann Instrumentation: Piano Product medium: PDF score     Related products:     – Beauty Around Us (hymn version)     – Beauty Around Us (easy piano version)     – Beauty Around Us (mp3) SAMPLE:

During a rehearsal of Schubert’s Unfinished Symphony: Stokowski had inserted a gratuitous part for bass clarinet. “It so happens,” wrote O’Connell, “that the player of this instrument was a quite temperamental gentleman as well as a composer, and when he saw Stokowski’s addition to Schubert’s score, he was possessed by fury.”  When he expressed his […]

Title: Abstraction IX Composer: Greg Smith Instrumentation: Brass quintet (2 trumpets in B-flat, Horn in F, trombone, bass trombone) Product medium: PDF score and parts SAMPLE:

Title: Ode I Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE: Your browser does not support the audio element.

Composer: Joe HisaishiArranger: Greg SmithTitle: “Memories”, from The Boy and the HeronInstrumentation: Piano Solo This item is available from Sheet Music Direct and Sheet Music Plus.

As to what concerns the knotty question in general of how far instrumental music may go in the representation of thoughts and events, many are here too anxious in their attitude. We are certainly wrong if we believe that composers set out pen and paper to realize the miserable intention of expressing, describing, or painting […]

The framework of a symphony must be so strong that it forces you to follow it regardless of the environment and circumstances: [it is] an “ethical necessity”. Jean Sibelius, to Jussi Jalas, 1 October 1939 Cited at: www.sibelius.fi [accessed 31 Mar 2010].

If a student played with excessive tone, Chopin would say “What was that? A dog barking?” Source: Carter, Gerard (2008) The Piano Book. Ashfield: Wensleydale Press, p.68