Some curious answers for the Society of Arts published in the Musical Times (English Journal), July 1888: The Examiner’s report on the papers worked by the candidates in the recent Theoretical Examinations of the Society of Arts shows some very curious facts. … Mistakes in spelling have not been accredited with loss to to the […]

The teaching methods of Johann Sebastion Bach are recounted by his son, Philip Emanuel Bach: The first thing he did was to teach his pupils his special ways of touching the keyboard. For this he made them practice for months nothing but separate exercises for all the fingers of both hands, with constant attention to […]

American composer Steve Reich on his compositional process: When I compose, I notice I’m the only one in the room. (laughs) I tend to be a somewhat self-critical person. I use my emotional faculties to judge whether I want to hear something again. Basically I have no one in mind except pleasing myself. And my […]

TITLE: Tale COMPOSER: Greg Smith INSTRUMENTATION: Bassoon and Piano PRODUCT MEDIUM: PDF score and part PRICE: $11.95 SAMPLES:

The stage director of the first Porgy and Bess production recalls hearing the score in Gerswhin's New York apartment: They both blissfully closed their eyes before they continued with the lovely "Summertime" song.  George played with the most beatific smile on his face.  He seemed to float on the waves of his own music with […]

“Art is the symbol of the two noblest human efforts: to construct and to refrain from destruction.” Simone Weil, French philosopher & mystic. Simone Weil, The Pre-War Notebook (1933-1939), published in First and Last Notebooks (1970) edited by Richard Rees.

“Only mediocrities progress. An artist revolves in a cycle of masterpieces, the first of which is no less perfect than the last.” – Oscar Wilde, in a letter to the editor of the Pall Mall Gazette, 22 September 1894

Reporters described Sergei Rachmaninoff on a concert tour (c. 1940): His punctuality is a legend.  If a reporter asks for two minutes of his time, two minutes and no more are given.  Consequently he arrives at a concert hall on the dot of 8 and goes on the stage precisely at 8:30.  If the concert […]

An account of Arnold Schoenberg teaching a composition class: Well, first of all there was composition class, in which he analyzed in brief the first sections of several Schubert sonatas. How he adores Schubert! “Many people say,” he remarked, “that Schubert is too long. He is long-yes-but for me he is always too short!” Such […]