A general perspective of musical taste in Britain in the 1920s can be seen in the letters to radio broadcasters. In 1926, the B.B.C. (at that time, the British Broadcasting Company) (1) compiled correspondence to the company. In the week ending December 4, of the 7600 letters received, 302 were critical: 125 condemned dance music […]

“They who dream by day are cognizant of many things which escape those who dream only by night.” — Edgar Allan Poe

“Of the three prerequisites of genius; the first is soul; the second is soul; and the third is soul.” – Edwin Whipple, American essayist and critic Cited at: QuotationsBook

Title: The Lord gave them bread from heaven Text: Psalm 77 (78):3-4. 23-25. 54 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and parts Sample:

A good performance is one that moves me. But it is not only the passion and emotion expressed in a performance that move me, it is also allowing the clarity of the structure, as well as the different characters, to shine through, a well-judged balance, a sense of architecture of the whole piece and, at […]

In writing, habit seems to be a stronger force than either willpower or inspiration. Consequently there must be some little quality of fierceness until the habit pattern of a certain number of words is established. There is no possibility, in me at least, of saying, “I’ll do it if I feel like it.” One never […]

Title: Air III Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – level 1 (five finger positions, left and right hands) Product medium: PDF score & MP3 accompaniment track (Audio sample of accompaniment track only)

There is a crack, a crack in everythingThat’s how the light gets in. Leonard Cohen, “Anthem Related: “There is a crack in everything, that’s how the light gets in”: The story of Leonard Cohen’s “Anthem”

A performance of Schönberg’s Pierrot Lunaire was given by Artur Schnabel (piano), Boris Kroyt (violin), Gregor Piatigorsky (cello), Paul Bose (flute), Marie Gutheil-Schoder (speaker), conducted by Fritz Stiedry. Gregor Piatigorsky was amused at the need for a conductor, given the size of the ensemble: The half-spoken, half-sung voice indicated in the score was partly filled […]

“…all talent, all application will not suffice if one’s whole life is not directed towards being a mediator of great thoughts and feelings. Every deed, yes, every thought leaves its trace on the personality. One must live a life of purity in every detail, even down to the morsel one is putting into one’s mouth. […]