A poet is a nightingale who sits in darkness and sings to cheer its own solitude with sweet sounds; his auditors are as men entranced by the melody of an unseen musician, who feel that they are moved and softened, yet know not whence or why. Percy Shelley, A Defence of Poetry, 1821

“A pen is to me as a beak is to a hen.” John Ronald Reuel Tolkien, in an interview with Philip Norman. “The Prevalence of Hobbits”, The New York Times, 15 January 1967, http://movies2.nytimes.com/books/01/02/11/specials/tolkien-mag67.html (accessed 20 July 2020)

Debussy was well known for wanting precision in performance. However, it was not always quite enough: Some time in 1917 Debussy went to hear the Suite played by a famous pianist. ‘How was it?’ I asked him on his return. ‘Dreadful. He didn’t miss a note.’ ‘But you ought to be satisfied. You who insist […]

Title: The Lord is my light (Setting II) Text: Psalm 26 (27): 1, 4, 13-14. R. v.1 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

"My favorite Russian composer is Borodin, mainly because he had the shortest name. Except for Cui, who was just showing off. […] Cui wrote an opera called A Feast in Time of Plague. Shows you what kind of guy HE was." (Victor Borge, My Favorite Intermissions, New York, 1971, p133)  

“Culture, the acquainting ourselves with the best that has been known and said in the world, and thus with the history of the human spirit.” Matthew Arnold (poet and scholar), Preface to Literature and Dogma (1873 edition), https://en.wikisource.org/wiki/Literature_and_Dogma/Introduction, accesssed 29 August 2021.

In attempting to capture something of the experience of being alive, the words themselves must be alive. Words, when living and breathing are like musical chords. The full resonance of the chord or phrase must be allowed to be heard in all of its suggestive imprecision. We must attempt in our use of language in…our […]

Ravel was very particular about how his works were performed.  Ravel always insisted that the tempo for Boléro should be moderate and rigorously maintained throughout.  He made a recording of that, too establishing his requirement.  Toscanini took it much faster and made an accelerando towards the end.  Ravel, who was in the audience, objected.  He […]

Title: Jack Sparrow, from Pirates of the Caribbean: Dead Man’s ChestComposer: Hans ZimmerArranger: Greg SmithInstrumentation: Solo cello, string orchestra, tom-tom (optional)Product medium: PDF score and parts Available from Sheet Music Plus and Sheet Music Direct

Hubert Parry, who taught Vaughan Williams composition, instructed the composer to “write choral music as befits and Englishman and a democrat.” Vaughan Williams recalled that “this attitude to art led to an almost moral hated of mere luscious sound…” Vaughan Williams, cited in Holmes, Paul (1997) Vaughan Williams. London: Omnibus Press, p.17.